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Discover Bloomington: Artistry presents “Under the Canopy” in the Confluence Gallery
Bloomington City CouncilWednesday, January 29, 2025
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Transcript
[0:00] (wood scraping)
[0:02] (upbeat music)
[0:03] - I grew up in Northern Lower Michigan,
[0:05] quite literally in the woods.
[0:06] Some of my earliest memories are, like,
[0:08] going out and hunting
under logs for salamanders
[0:11] and you know, looking at
mushrooms and hiding under trees
[0:14] and calling them forts
and that sort of thing.
[0:16] Hi, I'm Emily Gray Koehler.
[0:18] I'm a printmaker,
[0:19] and I have my studio in
Northeast Minneapolis,
[0:21] and I'm putting on a show
at the Confluence Gallery.
[0:23] The show is called "Under the Canopy."
[0:25] All of the work deals with imagery,
[0:27] experiences, and things
I've observed in the woods.
[0:31] Trees and woodlands have always been
[0:33] really significant to me in my work.
[0:35] And having visited the Wildlife Refuge,
[0:38] I was always struck by the trees.
[0:40] And also, like, as you get
down into the River Valley,
[0:42] you know, there's these monsters
that are growing down there
[0:45] and it seemed as though it
was an appropriate theme
[0:47] for the Wildlife Refuge and
for the Confluence Gallery.
[0:50] I really wanted to capture the experience
[0:53] of being in the woods,
[0:54] both that intimate moment where you spot
[0:57] that cool, tiny little thing,
[0:59] like a leaf or something
really interesting
[1:01] that's really tiny and petite.
[1:04] And then also that experience
of just being in the woods
[1:07] and sort of bathing in it, as they say.
[1:10] (wood scraping)
[1:12] Printmaking involves a lot
of different processes.
[1:14] It's an umbrella for many
different forms of art making.
[1:18] Most of my work is reduction woodcut,
[1:21] which you see a work in progress here.
[1:24] And reduction woodcut is the
creation of a print on paper
[1:29] from a carved block that
is successively carved
[1:32] through multiple layers
of carving and printing
[1:35] in order to create a finished image.
[1:36] So you'll have multiple layers of color,
[1:38] and that's how you get that vibrancy.
[1:41] And as you can imagine, woodcut
is not terribly forgiving.
[1:44] If I were to carve away,
[1:47] let's say for example, I
carved straight into that,
[1:50] the trunk of this tree,
[1:52] I would need to figure something out.
[1:54] To a degree, you can fill it,
[1:55] but it doesn't ever
really print really well.
[1:57] So the best thing is
[1:58] to just be really good
at carving. (laughs)
[2:02] A lot of the time is also waiting.
[2:04] But I usually have several pieces
[2:06] underway at any given time.
[2:08] So while I'm waiting for one
to dry, I'm carving another,
[2:12] or I'm working on drawing
another or printing another.
[2:16] So we're gonna be printing
the first layer of this block.
[2:19] So everything you see that's
sort of that wood tone
[2:21] is where I've carved,
[2:23] and that is going to stay
the color of the paper,
[2:25] which is white.
(roller scraping)
[2:28] And I need to re-ink the
block between each printing.
[2:34] But this first charging layer
[2:39] will sort of get the block primed.
[2:41] So this first layer,
[2:43] I don't have to worry so
much about registration,
[2:45] I just kind of have to generally hit
[2:47] the middle of the paper.
[2:48] But as you can imagine, subsequent layers
[2:50] have to be registered,
as we say in printmaking
[2:54] or laid perfectly, lined up perfectly,
[2:57] on top of the previous print.
[2:58] Otherwise, you'll wind up with that odd
[3:00] sort of double view
that you get sometimes,
[3:02] if you've seen a magazine
[3:03] that didn't quite get printed right.
[3:05] Once we've pulled the print,
[3:06] it goes into its very own little shelf
[3:12] for the next week or two, to dry.
[3:15] Now I'll work on printing all the rest,
[3:18] about 24 sheets of paper.
[3:21] And then we'll wait.
[3:22] So my show is in the dead of winter,
[3:24] and although there's some fantastic things
[3:26] to see out in the woods
in the middle of winter,
[3:28] there's a lot of work in my show
[3:30] that's also going to
be from other seasons.
[3:32] So if you want to kind of warm up
[3:33] and think about those growing things,
[3:36] walk through my show, check it out,
[3:38] see what you might see
under the snow outside.