[0:00] I tend to lean towards but more [0:02] challenging styles because if you're [0:04] going to go out all this work and you're [0:05] going to build a labyrinth, I want it to [0:07] stand out and be something that people [0:08] like look at and say, "Wow, I really [0:10] like that." [0:14] A lot of people think of it maybe as [0:15] like a maze. I think of a labyrinth more [0:17] as like a 3D maze in its essence. Most [0:20] of the labyrinths are like real life [0:22] mazes to the center of it and you also [0:24] have to follow that path to to leave the [0:26] labyrinth as well. All the pass you see [0:28] in the in the grooves and the lines, [0:30] those are acid stains that once you [0:32] start cutting the lines and then it [0:33] really starts to look interesting. It's [0:35] very involved. It took about two weeks [0:36] from start to finish to do. Yes, it's my [0:38] knees hurt and they did I mean it was [0:40] hard work building this, you know, but [0:42] it's it was definitely rewarding and it [0:43] was worth the effort. So many people are [0:45] going to be able to come here and enjoy [0:46] this for a long time. It's been really [0:48] special project. I feel privileged to be [0:50] able to work here and do this.