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## Heritage Preservation Commission
## Regular Meeting
Monday, June 29, 2026, 6:30 PM
## 106 Center Street
Members of the public may attend the Heritage Preservation Commission meeting either in person or by joining
via Zoom either online or by telephone at:
https://us02web.zoom.us/j/88906091691?pwd=tcN9RLVaOAosyZN8fpsRmGnusZGJ8P.1
Meeting chat link
https://us02web.zoom.us/launch/jc/88906091691
Meeting ID: 889 0609 1691
Passcode: 897629
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Some items on this agenda are important enough to City Councilmembers that quorum of the Council may be
present to receive information leading to their future deliberations and eventual decision.
## AGENDA
## 1. Call to Order/Roll Call
## 2. Agenda Approval
## 3. Consent Agenda
## A. May 21, 2026 Heritage Preservation Commission Special Meeting Minutes
## 4. Citizen Reports or Comments
## 5. New Business
## A. 254 Water Street SAP - Extension Request
B. 26 Water Street SAP - Partial Demolition of Tonka Theatre
## 6. Unfinished Business
7. Communications and Reports
## A. Next regular City Council Meeting - July 20, 2026
## B. Next regular HPC Meeting - July 28, 2026
## C. Updates
Page 1 of 135
2
## 8. Future Agenda Items
9. Adjournment
Page 2 of 135
## City of Excelsior
## Minutes
## Heritage Preservation Commission Special Meeting
Thursday, May 21, 2026
5:00 pm
## 1. CALL TO ORDER/ROLL CALL
## Commissioners Present: Anderson, Caron, Condon, Gephart, Macpherson
## Commissioners Absent: Dahlstrom
## Others Present: Julia Mullin, Community Development Director
## 2. AGENDA APPROVAL
Gephard moved to approve the meeting agenda. Anderson seconded. Approved 5-0.
3. CONSENT AGENDA (including review and approval of minutes from previous meetings)
## (a) April 28, 2026 Heritage Preservation Commission Minutes
Macpherson moved to approve the minutes with corrections. Anderson seconded. Approved 5-0.
## 4. CITIZEN REPORTS OR COMMENTS
## 5. NEW BUSINESS
None.
## 6. UNFINISHED BUSINESS
(a) HPC No. 2026-06 – Site Alteration Permit New Sign at 404-406 Second Street- Gardner Salon
This item was continued from the April HPC meeting. Commissioners added to the Resolution approving
the SAP: Ensure the rail color is minimally visible and does not stand out. Commission thanked applicant
for making the revisions discussed in April. Anderson moved to approve HPC Resolution 2026-06, as
amended, approving the sign. Gephart seconded. Approved 5-0.
(b) Sign Ordinance - Amendment of Section 24 of Zoning Code
This item was continued from the April HPC meeting. The Commission reviewed the proposed
amendment to the city sign ordinance and made recommendations which staff will report to the City
Council at their meeting on June 15
th
.
## 7. COMMUNICATIONS AND REPORTS
(a) Next regular City Council Meeting – June 1, 2026
(b) Next regular HPC Meeting – May 26, 2026
(c) Updates – Staff provided update on masonry work at the Masonic building and on proposed façade
changes at 211 Water Street.
## 8. FUTURE AGENDA ITEMS
## 9. ADJOURNMENT
Page 3 of 135
## Agenda
## Heritage Preservation Special Commission Meeting
Thursday, May 21, 2026
Page 2
2
Macpherson moved to adjourn the meeting. Condon seconded. Approved 5-0. Meeting adjourned at
6:45 pm.
Respectfully submitted,
## Julia Mullin, Community Development
Page 4 of 135
Item: 5.A.
## ITEM REPORT
## To: Heritage Preservation Commission
## From: Julia Mullin, Community Development Director
## Meeting Date: June 29, 2026
## Department/Office: Community Development
## Item Name: 254 Water Street SAP - Extension Request
## Summary:
## APPLICATION
The applicant, Tim Caron, Madelena Properties, received a Site Alteration Permit in
June 2025 for interior and exterior renovations at 254 Lake Street. The approval is
documented in HPC Resolution 2025-05 (attached). The applicant has not begun work
on the project and requests an extension of the Site Alteration Permit.
City Ordinance, Chapter 20, Sec. 20-11 (f) states that once a site alteration permit has
been issued, construction must begin within 12 months from the date of issuance. The
code provides for one 12-month extension.
Section 20-11(f)Time Limitation. Construction for which a site alteration permit is issued
shall begin within 12 months from the date of issuance of the site alteration permit.
(1) A one-time extension may be granted by the commission for a period up to 12
months from the date of expiration provided that:
a. The original site alteration permit has not expired at the time of
application for an extension is filed; and
b. The site or building conditions have not changed on the subject
property and adjacent properties.
(2) Upon expiration of the extension, the applicant must reapply for a site
alteration permit
The applicant filed for an extension prior to the expiration of the permit and has
confirmed that building conditions have not changed.
Page 5 of 135
## Recommended Action:
Staff recommends that the HPC grant a one-time 12-month extension for the site
alteration permit issued for 254 Water Street and approve HPC Resolution 2026-07.
## Budget:
## Attachments:
1. Letter from Applicant
2. HPC Resolution 2025-05
3. HPC Resolution 2025-06
Page 6 of 135
## MADELENA PROPERTIES, LLC
182 3
rd
## Street
## Excelsior, MN 55331
Phone: 612.328.3915
E-Mail: tgcaron@sprintmail.com
June 10, 2026
## Julia Mullin
## City of Excelsior
## 261 School Avenue
## Excelsior, MN 55331
Re: Site Alteration Permit Extension--Apartment Renovation Project at 254 Water Street, Excelsior
## Dear Julia:
I am writing to request a 12-month extension of the Site Alteration Permit that was approved by the Heritage
Preservation Commission at its meeting on June 24, 2025.
The HPC Ordinance permits the Commission to approve a one-time extension of up to 12 months from approval of
a Site Alteration Permit, pursuant to Section 20-11(f). While we have recently received our construction bids, we
are not yet ready to start on the project, as we are still evaluating the use of Historic Tax Credits and have been
advised that we cannot begin demolition or other rehabilitation work until we have submitted appropriate tax credit
documentation to SHPO. We believe that we meet the terms of the city code for issuing an extension, as the site
and building conditions on the property and adjacent properties have not changed since the SAP resolution was
approved on June 24, 2025.
Thank you for your consideration. Please let us know if you have any questions or need anything further.
## Sincerely,
## Tim G. Caron
## President, Madelena Properties, LLC
Page 7 of 135
Page 8 of 135
Page 9 of 135
## City of Excelsior
## Heritage Preservation Commission
## Resolution No. 2026-06
A Resolution Approving a 12-Month Extension of Site Alteration Permit for Internal and
External Improvements to the Upper-Level Apartment at 254 Water Street, Documented in HPC
Resolution 2025-05
WHEREAS, Tim Caron of Madelena properties LLC, at 254 Water Street, Excelsior, MN
55331, (“Applicant”), has applied for a 12-month extension of the site alteration permit granted
for internal and external improvements to the upper-level apartment on June 24, 2025.
NOW, THEREFORE, IT IS RESOLVED, that the Applicant is hereby approved an
extension based on the following:
## FINDINGS OF FACT
1. The request for an extension was filed prior to the expiration of the Site Alteration Permit.
2. The building conditions have not changed since the Site Alteration Permit was granted.
## CONCLUSIONS OF LAW
1. The request is consistent with requirements in Chapter 20, Section 20-11 (f) of the City Code
of Ordinances which provides for the granting of an extension of a Site Alteration Permit.
Adopted by the Heritage Preservation Commission of the City of Excelsior, Minnesota, on this
29
th
day of June 2026.
## HERITAGE PRESERVATION COMMISSION
__________________________
## Tim Caron, Chair
Page 10 of 135
Item: 5.B.
## ITEM REPORT
## To: Heritage Preservation Commission
## From: Julia Mullin, Community Development Director, Amy Lucas, Historic Consultant
## Meeting Date: June 29, 2026
## Department/Office: Community Development
Item Name: 26 Water Street SAP - Partial Demolition of Tonka Theatre
## Summary:
## APPLICANT Matt Mithun
## PROPERTY OWNER Same
## LOCATION 26 Water Street
## CASE NO. HPC No. 2026-08
DEADLINE August 17, 2026 / October 16, 2026
1. Application
The applicant, Matt Mithun, Mithun Companies, has submitted a Site Alteration
Permit (SAP) for a partial demolition of the rear 51’ 6” of the Tonka Theater (built
in 1945) at 26 Water Street (total length of building is 125’ 7”). The demolition of
the theater addition (built in 1989) at 26 Water Street was previously
recommended for approval at previous HPC meetings and included in HPC
Resolutions 2025-04 and 2026-01 (attached). The SAP also proposes a new rear
elevation design and alterations to the theater façade.
## 2. Summary Of Findings
1. The City of Excelsior designated the local and National Register Excelsior
Commercial Historic District to protect historic properties and ensure compatible
alterations. A major impetus for designating historic districts has been to protect
properties from parking lot development and incompatible new construction.
2. The Tonka Theater is a contributing building in the historic district and the
character-defining feature of a movie theater is the auditorium and the resulting
overall mass of the structure. The proposed demolition would permanently
damage the significance and integrity of the building and the historic district. The
two-block historic district is a rare, cohesive group of commercial buildings that tell
Excelsior’s development history from 1886-1955.
3. The proposed partial demolition is not consistent with Chapter 20 of the city
code of ordinances, the HPC Preservation Design Manual, or the Secretary of the
Page 11 of 135
Interior Standards and Guidelines for Rehabilitation.
4. Allowing the partial demolition without meeting the prescribed criteria of the
city’s code would be precedent-setting for future demolition reviews in the historic
district and for Landmark properties in Excelsior. Up to this point, the continuous
development pressures of incompatible construction in Excelsior’s historic district
have been prevented by consistently following the statutes in the city code.
## 3. Background and Previous Reviews
The applicant purchased the property at 26 Water Street (Tonka Thater) with the
attached 28 Water Street (currently Lago Tacos) in 2003 for $1,250,000. The
building at 26 Water Street continued to operate as a theater and appears to have
closed during 2020 Covid epidemic. The theater briefly opened in 2022, but closed
and has not been reopened.
On March 20, 2024, the HPC reviewed the sketch plan review/concept review of
the proposed development at 10 Water Street. At that time, the development
proposed a hotel on the vacant lot at 10 Water Street and envisioned using the
Tonka Theater building for uses supportive to the hotel. No demolition was
contemplated. (Fig. 1) The city provided feedback that a four-story building was
not compatible with the Downtown Historic District.
Fig. 1 March 2024 site plan reviewed by HPC
In 2025, the project scope changed. The applicant could have returned to the HPC
with a concept plan including the proposed demolitions for the purpose of
obtaining the Commission’s comments and recommendations as stated in Sec.
10-12 (b)(1) but did not. Instead, the applicant applied for a Preliminary Planned
Unit Development (PUD) application to build an apartment building and demolish
the rear (full auditorium) of the historic theater at 26 Water Street. (Figs. 2 and 3)
At their meetings of April 29, May 27, and June 17, 2025, the HPC commented on
the Preliminary PUD application and approved HPC Resolution 2025-04
(attached) providing findings of fact on conformity with approved design standards
Page 12 of 135
and guidelines and recommendations. The recommendations for the design of the
new building were forwarded to the Planning Commission and City Council as
required by Ordinance, Sec. 20-11. The HPC stated in HPC Resolution 2025-04
that the non-contributing 1989 theater addition, which was built outside the period
of significance for the historic district and is non-contributing to the historic district,
is acceptable for demolition. The HPC did not recommend approval of the
demolition or partial demolition of the historic Tonka Theater. The HPC resolution
documented that a Site Alteration Permit for the proposed demolition is required
for HPC review per city code.
Fig. 2 April 2025 site plan reviewed by HPC
Fig. 3 April 2025 site plan reviewed by HPC
Page 13 of 135
On February 24, 2026, the applicant returned to the HPC for a SAP application to
demolish the rear 55 feet of the Tonka Theater. The City of Excelsior determined
that the proposal razed more than 30 percent of the building and considered the
application for a “demolition” of a historic building. At the meeting, the HPC denied
the demolition of the rear 55 feet and the construction of a new rear wall, and
approved the façade alterations, with conditions, and the demolition of the 1989
theater addition (HPC Resolution 2026-01 is attached.
## 4. Landmark History
The two-story, Streamline Moderne Tonka theater at 26 Water Street was built in
1945. The building is a contributing building in the local Excelsior Commercial
Historic District (listed 1998) and the National Register of Historic Places Excelsior
Commercial Historic District (listed 2021). The period of significance for the district
is 1886-1955. The theater is an important reminder of Excelsior’s entertainment
history and has been a community entertainment and gathering space for over 70
years. The theater building is a physical example of the building’s past and is
designated as a historical and architectural reminder of its past history, but the
“use” is not designated.
Page 14 of 135
## Fig. 4 Tonka Theater, façade
The Tonka Theater was designed by Minnesota architects, Liebenberg and
Kaplan. The previous theater (1940) burned in January 1945 and the new theater
was poured-concrete fireproof construction with a stucco exterior. The Streamline
Moderne style emerged during the 1930s-1940s and the minimal design was in
response to the economic restraint necessary called for during the Great
Depression. The horizontal buildings favored white exteriors with flat roofs and
integrated the design elements within the simple form. The Tonka Theater
features a smooth, white stucco façade and fluted grooves into the curved wall at
the upper floors and its scale is distinctive in the Downtown District. The theater
was built with an auditorium for approximately 500 (original seats have been
replaced) and a balcony. Two restrooms were in the lobby. In ca. 1972, the
balcony was enclosed to create a smaller theater at the second floor above the
lobby. In 1989, a second theater was built on the parcel at 28 Water Street behind
the one-story Hennessy Building (1955, contributing) (present-day Lagos Tacos).
At an unknown date, a corridor was built into the side of the Hennessy Building to
access the 1989 theater. The 1970s wood siding at the façade continues over this
corridor addition. The original plans for the Tonka Theater are located in the
Page 15 of 135
Northwest Architectural Archives at the U of M.
The architects, Liebenberg and Kaplan, are responsible for a number of
Minnesota movie theaters. Jacob “Jack” Liebenberg (1893-1985) and Seeman
Kaplan (1895-1963), graduates of the University of Minnesota architecture school,
formed a partnership in 1923 and became one of the most successful architecture
firms in Minnesota. The firm specialized in “prestigious homes, Jewish temples,
and movie theaters.” (Lathrop, Minnesota Architects) The firm is responsible for
the state’s first theater built for sound pictures in 1928 (Granada a.k.a. Suburban
World in Minneapolis) and embraced the Art Deco and Moderne styles to welcome
the modern age of motion pictures. A survey of the firms’ surviving theaters has
not been completed, but many of their theater designs in Minneapolis have been
lost; including the Strand (1933, razed 1975), the Faust (1934, razed 1989), the
Campus/Oak Street Cinema (1935, razed 2011), the Gopher (1938, razed 1980)
and the Rialto (1937, razed 1980). A few of the firm’s theaters have been
individually listed in the National Register of Historic Places; they include the
Hennepin/Orpheum Theatre, Hollywood Theater and the Ely State Theater.
The two-block Excelsior Commercial Historic District has 32 contributing buildings
and 4 noncontributing buildings. The cohesive district is unique because it
features multiple commercial building types and a range of architectural styles
from 1886 until 1955. The buildings are linked historically and architecturally and
tell the story of Excelsior’s commercial history; they feature examples of a
pharmacy, grocery, two fraternal organization buildings, an auto repair building, an
auto dealership, multiple commercial buildings and one movie theater. The size
and scale of each of these buildings reflects their historic use and the
concentration of so many intact historical examples is exceptional. The continuous
economic stability of the district is partially due to the high integrity and
cohesiveness of the historic buildings.
Page 16 of 135
Fig. 5 Water Street in 1949
Fig. 6 Water Street in 1950
Page 17 of 135
Fig. 7 Water Street in ca. 1950
Fig. 8 Water Street in 1959
Page 18 of 135
## Fig. 9 Excelsior Commercial Historic District in 1955
## Fig. 10 Excelsior Commercial Historic District in 1962
## 5. SAP Application Proposal for Partial Demolition and Renovation of
## Building
The applicant has provided a new SAP application.
The applicant is proposing to remove the rear 51’ 6” (linear feet) of the building.
This is 29.9% of the building and falls under the review for partial demolition. The
remaining 74’1” (linear feet) of the theater will be renovated. They propose to shore
up the remaining three exterior walls of the building while the roof and interior are
removed, and then rebuild. A new wall design is proposed for the rear elevation
Page 19 of 135
and the façade will have new entrances and a marquee with signage.
At the façade, the wood siding and the marquee will be removed (Figs. 11-13). At
this time, it is unknown what historic fabric remains under the wood siding. A new
marquee and new entrance system are proposed. The proposed marquee and
façade renovation do not follow the original design as depicted in photographs. The
“TONKA” signage is proposed for the top of the canopy but was originally attached
to the sign band of the canopy. The “TONKA” letters will be illuminated. Lights are
proposed for under the marquee canopy. Lit letters and lighting under the canopy
were not historically present. Façade materials are listed as “accent materials” and
specifications for the doors were not provided. The new rear elevation is proposed
as stucco with three, fixed windows and an offset door system. Materials are
described as “accent materials” and specifications for the windows and doors were
not included, providing added difficulty to evaluating the application as Excelsior
City Code 20-11(h) requires the HPC be guided by 1) Secretary of the Interior’s
Standards and Guidelines for Rehabilitation; and (2) the design guidelines and
standards listed in the Preservation Design Manual.
The “architectural site plan” (Figure 14) is inaccurate and proposes a different rear
wall alignment with a notch removed from the wall (different from Figures 12 and
15). This needs clarification. Additionally, the adjacent Hennessy building, 28
Water Street, is incorrectly illustrated. A design for the interior was not provided.
Tenants and uses for the buildings have not been proposed.
Fig. 11 Current facade
Page 20 of 135
Fig. 12 Proposed elevations
Page 21 of 135
Fig. 13 Proposed signage
Page 22 of 135
Fig. 14 Proposed site plan with inaccurate building dimensions
Fig. 15 Hennepin County Property aerial map of Tonka Theater in blue outline
Page 23 of 135
6. Criteria for Review
Chapter 20 of Excelsior City Code for Demolition authorizes the review and
states:
## Sec. 20-3. Definitions
Demolition. Any act that destroys or removes more than 30 percent of the
building or other structure.
Demolition, partial. Partial demolition includes any act which destroys a portion
of a building consisting of not more than 30% of the floor area of the building,
and where the portion of the building to be demolished is not readily visible from
the street. Partial demolition also includes the demolition or removal of additions
or materials not of the period of significance on any exterior elevation when the
demolition is part of an act of restoring original historic elements of a building
and/or restoring a building to its historical mass and appearance.
Sec. 20-11(h). Site alteration permit criteria
In making a determination whether to approve or deny an application for a
site alteration permit, the commission shall be guided by the following
criteria:
1) Secretary of the Interior’s Standards and Guidelines for Rehabilitation.
2) Preservation Design Manual. The design guidelines and standards listed
in the Preservation Design Manual.
3) Additional criteria for proposed alterations within designated historic
districts. Before approving a site alteration permit that involves alterations to
a property within an historic district, the commission (or city council on
appeal) shall make the following findings:
a. The alteration is compatible with and will ensure continued significance
and integrity of all contributing properties in the historic district based on
the period of significance for which the district was designated.
b. Granting the site alteration permit will be in keeping with the spirit and
intent of this chapter and will not negatively alter the essential character of
the historic district.
4) Criteria for moving and demolition is located in section 20-12 of this
chapter.
Page 24 of 135
Sec. 20-12. Demolition and relocation
(j) Review criteria for partial demolition. In reviewing an application requesting a
site alteration permit for partial demolition, the Commission shall apply the
following criteria:
1) The partial demolition is required for the renovation, restoration or
rehabilitation of the structure; and
2) The applicant has mitigated, to the greatest extent possible:
a. Impacts on the historic importance of the structure or structures located on
the property; and
b. Impacts on the architectural integrity of the structure or structures located on
the property.
7. The HPC Shall Make the Following Findings for the Site Alteration
## Permit Application
Sec. 20-11(h)(3) Additional criteria for proposed alterations within
designated historic districts.
Before approving a site alteration permit that involves alterations to a property
within an historic district, the commission (or city council on appeal) shall
make the following findings:
a. The alteration is compatible with and will ensure continued
significance and integrity of all contributing properties in the historic
district based on the period of significance for which the district was
designated.
The Tonka Theater is a contributing building to the historic district. The
entire theater was built during the period of significance. The proposed
partial demolition of the Tonka Theater alters the auditorium and scale of the
building. The District contains 32 contributing structures and only 4
noncontributing. Partial demolition will remove the contributing status of the
Tonka theater building and harms the concentration of historic buildings of
varying scale and architectural style which is the essence of the downtown
historic district in Excelsior. Approving the partial demolition of the building
does not maintain the significance or integrity of the building or the historic
district.
b. Granting the site alteration permit will be in keeping with the spirit and
intent of this chapter and will not negatively alter the essential
Page 25 of 135
character of the historic district.
The partial demolition of the Tonka Theater is not in keeping with the spirit
and intent of the preservation chapter of the city code. The City of Excelsior
designated the historic district locally and nationally because it is an area of
downtown whose buildings are linked historically and architecturally and as
a whole tell the story of Excelsior’s commercial history. The district is
remarkably intact. The size and scale of these buildings contribute to their
importance, both as individual structures and as a district as a whole. To
remove part of the Tonka Theater building whose character-defining
element is the auditorium and its scale, will negatively alter the essential
character of the district.
Furthermore, it is important to understand the precedence of the proposed
demolition. Allowing the demolition would not only alter the significance of
the Tonka Theater and the historic district, it is also setting a precedent.
Allowing the partial demolition without any evidence of structural failure,
cost analysis for rehabilitation, market and reuse studies, will set a
precedent for future demolition reviews in the historic district and for
landmarks in Excelsior.
## Sec. 20-12 Demolition and Relocation
1. The partial demolition is required for the renovation, restoration
or rehabilitation of the structure;
The applicant has not provided evidence that the partial demolition is
required for renovation, restoration or rehabilitation of the theater. In fact,
the partial demolition makes renovation, restoration and rehabilitation of the
landmark impossible. The structural and environmental reports do not
support partial demolition or provide a cost analysis for repairs. The
demolition is proposed to accommodate surface parking and extension of
the new construction on the neighboring parcel.
The owner has not provided economic evidence to support the
impracticality of rehabilitation, nor has the owner provided costs for
restoration or rehabilitation. Excelsior has provided multiple examples of
rehabilitation and receiving high economic returns on the investment. It has
not been proven that rehabilitation will reduce the property values, and, in
Excelsior, historic buildings usually sell for higher values.
Chapter 20 allows the HPC to request a re-use study. It was requested and
the owner declined to submit. (See applicant email, attached). A reuse
Page 26 of 135
study is relevant and helpful because it evaluates possible re-use options
for the building, based on the building’s attributes, and evaluates costs of
those options compared with cost of demolition and new construction. The
owner has provided some costs for a restaurant in the theater. Movie
theaters are one of the most reused and adapted buildings across the
country. They are centrally located, well-situated on Main streets across the
United States and have large volumes with clear, open spans and in many
cases, they have fireproof construction. They have been successfully
renovated, often using historic rehabilitation tax credits, into art centers,
community centers, music venues, wedding venues, lecture halls, co-
working spaces, restaurants/bars/liquor stores, libraries, sports
arenas/gyms/climbing, recording studios and even apartments. The theater
space could support the proposed new neighboring residential construction
with amenity spaces like workout rooms, and party rooms.
Because this building is a contributing building in a National Register
Historic District, it is eligible for historic rehabilitation tax credits. The state
and federal credit allows for a 40% credit off the cost of the rehabilitation.
The applicant has not provided evidence of investigating historic tax credits.
The building will be ineligible for future tax credit applications if the
character-defining features of its building type are removed. The auditorium
space is THE character-defining feature of a theater. Costs to rehabilitate
the historic building into a new use are covered; these include new code
compliant stairs, elevator, restrooms, HVAC, and even leveling sloped
floors. The owner has not provided costs for rehabilitation nor compared
the costs of demolition and reconstruction vs. rehabilitation.
2. The applicant has mitigated, to the greatest extent possible:
a. Impacts on the historic importance of the structure or structures
located on the property;
The Tonka Theater is a significant landmark in the history of Excelsior and
provided entertainment and enrichment experiences for over 70 years. The
theater auditorium was a purpose-built civic space designed for the shared
experience and the building is intact today. The demolition of 51’ 6” of the
building cause the Tonka theater building to lose its contributing status in
Excelsior’s Downtown Historic District. The owner has not attempted to
mitigate this impact to the building or the district.
b. Impacts on the architectural integrity of the structure or
structures located on the property.
The Tonka Theater is a contributing structure to the local and National
Page 27 of 135
## Register Historic District. The two-story Streamline Moderne theater was
designed by renowned architects, Liebenberg and Kaplan. The building
retains the significant character-defining features of a theater including the
prominent façade and the theater auditorium space. The auditorium has
integrity and continues as a unique architectural landmark in Excelsior. It is
an extant reminder of the size, scale, massing of the construction period
and the mass behind the façade continues to tell the story of how the
building operated.
The mass behind the facade is visible today from Water Street and Lake
Street and will be visible from Water Street and the entrance to the
proposed rear-facing retail and multifamily building. The view of the Tonka
Theater building from Water Street will change significantly if it is shortened
by 51’ 6” through partial demolition and replaced with the proposed 3 story
multifamily building. The three-story massing of the proposed multifamily
building will rise above the shortened theater, diminishing its profile as seen
from Water Street.
The applicant has not provided evidence of any attempts to mitigate the
loss of the landmark space nor has the applicant provided costs for reuse
or rehabilitation. Furthermore, allowing the partial demolition has the
potential to alter the historic district with future demolition reviews.
8. The HPC shall be guided by the following criteria:
## The Secretary of the Interior’s Standards and Guidelines for
Rehabilitation state:
1. A property shall be used for its historic purpose or be placed in a new use
that requires minimal change to the defining characteristics of the building
and its site and environment.
The HPC does not govern or review ‘use.’ The HPC reviews alterations
proposed for historic properties and guides the alterations towards
minimal damage to the defining characteristics of the historic resources. A
character-defining feature is what a building type is most associated with,
and examples include a steeple for a church, grain elevator for a mill,
canopy for a gas station. The character-defining feature of the Tonka
Theater is the auditorium, and the applicant is proposing to remove the
more than half the auditorium space and create a theater in the balcony
space. The balcony theater is not a replacement of the use and the HPC
does not review or require historic uses to remain in place. This SAP
proposal removes the character-defining feature of the open auditorium
space and scale of the building and permanently alters the building, site
and environment. The partial demolition is not “minimal change”, and the
Page 28 of 135
proposal does not follow the guideline.
The City cannot guarantee or require a theater use. There is nothing to
preclude the owner from changing the proposed use of the balcony
theater after the SAP applications are approved.
2. The historic character of a property shall be retained and preserved. The
removal of historic materials or alteration of features and spaces that
characterize a property shall be avoided.
The Tonka Theater is a contributing structure to the local and National
## Register Historic District. The two-story Streamline Moderne theater was
designed by renowned architects, Liebenberg and Kaplan. The character-
defining feature of a theater is the historic auditorium space and the
resulting scale of the building. A movie theater building type is recognized
by its auditorium space. The removal and alteration of this historic space
does not meet the guideline.
3. Each property shall be recognized as a physical record of its time, place
and use. Changes that create a false sense of historical development,
such as adding conjectural features or architectural elements from other
buildings, shall not be undertaken.
At this time, the proposed façade design is conjectural and lacks specific
detail.
4. Most properties change over time; those changes that have acquired
historic significance in their own right shall be retained and preserved.
The exterior alterations of the 1989 theater addition, corridor addition into
the neighboring building and facade siding have not acquired significance
and retention is not recommended. The current marquee was also
installed after the district’s period of significance and may be replaced.
5. Distinctive features, finishes, and construction techniques or examples of
craftsmanship that characterize a historic property shall be preserved.
The most “distinctive feature” of a movie theater is the auditorium space
and removal of 51.5 linear feet of a total 125.5 linear feet of the Tonka
Theater building does not preserve this feature. The applicant proposes to
Page 29 of 135
retain the stucco Streamline Moderne façade, which is an important
design finish and preservation is recommended. The applicant proposes
to replace the non-historic marquee, which does not characterize the
historic property during the period of significance and is not an example of
historic finish or craftsmanship.
6. Deteriorated historic features shall be repaired rather than replaced.
Where the severity of deterioration requires replacement of a distinctive
feature, the new feature shall match the old design, color, texture, and
other visual qualities and where possible, materials. Replacement of
missing features shall be substantiated by documentary, physical or
pictorial evidence.
The applicant has not provided evidence that the theater auditorium is
deteriorated and requires partial demolition. The applicant provided a
report from Meyer Borgman Johnson (MBJ), structural engineers, dated
October 27, 2025. The report found the concrete building to have
“acceptable structural performance.” The applicant provided a report from
The Javelin Group, environmental consultant, dated October 23, 2025.
These reports do not recommend demolition or replacement of a historic
resource. The partial demolition proposes removal and replacement with
surface parking and a new structure.
The applicant proposes to replace the non-original marquee; the
replacement must match evidence from photographs of original. façade
conditions under the wood siding should be evaluated and repaired rather
than replaced, if extant.
7. Chemical or physical treatments, such as sandblasting, that cause
damage to historic materials that characterize the property. The surface
cleaning of structures, if appropriate, shall be undertaken using the
gentlest means possible.
The applicant notes that surface cleaning will be undertaken in a gentle
method and follow preservation standards. Staff recommends that the
HPC include as a condition of any approval that the applicant submit
samples of exterior repair for review.
8. Significant archaeological resources affected by a project shall be
protected and preserved. If such resources must be disturbed, mitigation
measures shall be undertaken.
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The property does not have archaeological significance.
9. New additions, exterior alterations, or related new construction shall not
destroy historic materials that characterize the property. The new work
shall be differentiated from the old and shall be compatible with the
massing, size, scale, and architectural features to protect the historic
integrity of the property and its environment.
The applicant is proposing partial demolition of the theater auditorium for
the new construction of a surface parking lot and construction of a
neighboring residential building. This proposal destroys the historic
materials and integrity that characterize the Tonka Theater. The
neighboring new construction proposal does not protect the history
integrity of the property or the historic district.
10. New additions and adjacent or related new construction shall be
undertaken in such a manner that if removed in the future, the essential
form and integrity of the historic property and its environment would be
unimpaired.
This guideline explains that alterations and new additions shall be
reversible and non-permanent. The partial demolition of the theater is not
reversible.
## The Preservation Design Manual guidelines:
## General Storefront Guidelines:
GS.3 If replacement is necessary, new elements should duplicate the original
element closely in form, proportions, and profile.
The original theater store front is covered with wood siding. The siding
should be removed and façade evaluated before design proposal. The
new design should be guided by extant building fabric and historic
images.
## Door Guidelines:
D.5 The installation of new doors should closely resemble the design and
proportions of the original door. Wood is preferred material, but steel or
aluminum with baked enamel finish may also be used. Metal frame doors
may be more appropriate than wood frame doors on later architectural style
such as Art Deco façades.
The original doors have been replaced with aluminum system. The new
Page 31 of 135
system may be aluminum and should reflect the original door style based
on pictorial evidence. Specifications, measurements and material details
have not been provided by the Applicant at this time.
D.9 When replacing a door, use a design that results in an appearance
similar to the original. Where the original design is unknown, use a door
design associated with the building style or type.
The original doors have been removed. The proposed new entrance
system should be based on historic images. Specifications and details
and materials of proposed doors have not been provided at this time.
## Window Guidelines:
W.4 Greater flexibility in installing new windows may be considered on
secondary and rear walls. If new windows are to be installed into original
window openings, the new windows should match the existing windows in the
building in shape, size, design, material, and spacing between windows. New
openings shall be of the same size and heights as other window openings.
Windows are proposed at the new rear wall. Openings at the current
rear wall or the proposed new rear wall are acceptable. The proposed
window and door design at rear lacks detail of design, materials, color,
scale, and measurements.
## Architectural Detailing Guidelines
AD.2 When restoring or working on a historic building, property owners are
encouraged to restore any ornamentation that may have been removed
previously.
The SAP proposes to replace the non-historic marquee with a marquee
that is similar to original design in historic images. The design of the
marquee appears to meet the guidelines, but signage should be attached
to the sign band to adhere to pictorial evidence. After the non-historic
wood siding is removed, the remaining design and materials should be
evaluated. The design may change following the removal of the siding.
Historic images indicate that decorative metal bands were located above
the entrances.
## Back Entries and Additions Guidelines:
BEA.8 Rear entrances on existing buildings shall clearly be secondary
entrances and avoid the appearance of a primary façade.
The proposed rear entrance design avoids the appearance of a primary
façade. Details of the doors and windows are unclear. Specifications,
colors, measurements and material samples have not been provided at
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this time.
## Signage and Lighting Guidelines:
CS.3 Signage should be placed at traditional sign locations.
CS.8 Signs should not conceal any architectural features.
CS.10 Sign attachment parts should be reused in their original location to
protect the original building materials.
CS.26 Internally-lit or flashing signs are not allowed in the historic
commercial district.
The SAP proposes internally lit letters on the marquee sign which does
not meet the guidelines. Historic images indicate the letters were
originally attached to the face of the marquee and not on the roof of the
marquee. Historic images indicate the letters were not lit.
## Recommended Action:
Adopt HPC Resolution 2026-07 to deny the partial demolition of the Tonka
Theater at 26 Water Street. Approve the SAP alterations proposed for the façade
of 26 Water Street with conditions for further details.
## Budget:
## Attachments:
## 1. HPC Resolution 2026-07_26 Water
## 2. 1_ Owner Cover Letter
## 3. 2_ Excelsior Modified SAP Application_MM260526
## 4. 3_ Mithun- Excelsior- SAP Narrative
## 5. 4_ Overall Site Plan
6. 5_ 2026 05-26 Dock Cinema - SAP Set_JMRFS
## 7. 6_ Excelsior Theater - Construction Scope Means-Methods
8. 7_ MBJ Structural Assessment Report - Dock Cinema - 10-27-2025
## 9. 8_ Excelsior_Demo89_Bar-Restaurant Reuse Tonka Theatre
## 10. 9_ Mithun Enterprises- SAP Denial Objection Letter 4917-4937-9982 v.3
11. 10_ Incomplete application letter_SAP_06_11_2026
12. 11_ Applicant Response to Incomplete letter
13. 12_ Section Divider
14. 13_ 2026 06-18 Lake & Water - Architectural Site Plan
15. 14_ 2026 06-18 Lake & Water - SAP 6
16. 15_ 2026 06-18 Lake & Water - SAP Combined Renderings
Page 33 of 135
17. 16_ 2026 06-23 Lake Water - SAP SI1
18. 17_Section Divider
19. 18_ Page 18 2025-04-01 10 Water prelim PUD
20. 19_Page14 from 2025 04-01 10 Water St - Preliminary PUD Technical Drawings
21. 20_Page 20_ 2025 04-01 10 Water - Prelim PUD TechDrawings-3
22. 21_Section Divider
23. 22_ HPC Resolution 2025-04
24. 23_ HPC Resolution 2026-01
Page 34 of 135
## City of Excelsior
## Heritage Preservation Commission
## Resolution No. 2026-07
## A Resolution Denying a Site Alteration Permit
for the partial demolition and rear wall design of the Tonka Theater at 26 Water Street
and
Approving the façade alterations, with conditions, of the Tonka Theater at 26 Water Street
WHEREAS, Matt Mithun of Mithun Companies, the owner of the Tonka Theater (built in 1945) at
26 Water Street and the theater addition (built in 1989) at 28 Water Street, Excelsior, MN 55331,
(“Applicant”) has applied for a Site Alteration Permit for the partial demolition of the rear 51 feet 6
inches of the Tonka Theater at 26 Water Street, and alterations to the façade and rear elevations of the
## Tonka Theater;
WHEREAS, the Heritage Preservation Commission (“HPC”) considered Applicant’s application at
its meeting on June 29, 2026.
NOW, THEREFORE, IT IS RESOLVED, that the Applicant is hereby denied a Site Alteration Permit
to demolish the rear 51’6” feet and build a new rear wall of the Tonka Theater at 26 Water Street based
on the following findings of fact,
AND, the Applicant is hereby approved a Site Alteration Permit to renovate the façade of the
Tonka Theater at 26 Water Street with conditions based on the following findings of fact.
## FINDINGS OF FACT
1. Matt Mithun, Mithun Companies, owner of 26 Water Street and 28 Water Street, Excelsior, MN
55331 (“Applicant”) has applied for a site alteration permit to demolish the rear 51’6” of the
Tonka Theater at 26 Water Street, renovate the façade of 26 Water Street, create a new rear
wall design at 26 Water Street.
2. The Tonka Theater at 26 Water Street was built in 1945 and is a contributing building in the local
Excelsior Downtown Historic District (listed 1998) and the National Register of Historic Places
Excelsior Commercial District (listed 2021). The Tonka Theater was designed by the prominent
master architecture firm, Liebenberg and Kaplan, and is a significant example of the Streamline
Moderne style in Excelsior. The theater is also significant as a physical reminder of Excelsior’s
entertainment history and provided the region with a community and gathering space for over
70 years. The building retains integrity and continues to reflect its history as a movie theater
with original design, massing, materials and scale.
3. The applicant purchased the building in 2003. The property was locally designated in 1998.
4. The owner purchased the parcels at 26 Water Street and 28 Water Street in 2003 for
$1,125,000. The parcel at 28 Water Street has the Hennessy Building (1955, present-day Lago
Tacos tenant) and the theater addition (1989) connected to the neighboring Tonka Theater. The
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## HPC Resolution 2026-07
Page 2 of 7
property is assessed at $1,215,000. The Tonka Theater at 26 Water Street ceased operations in
2020; the parcel at 26 Water Street is assessed at $573,000.
5. At the HPC meeting on March 20, 2024, the commission considered a sketch plan for a hotel
development on the parcel at 10 Water Street, that included re-use of the Tonka Theater, both
the original building and the 1989 addition, for event space, cinema, rooftop deck, and
food/concessions to support the hotel. No demolition was proposed at this time. The HPC
commented that the proposed hotel building did not meet the standards of the Preservation
Design Manual because it was too tall and not compatible with the established guidelines for
the Downtown Historic District.
6. At the HPC meetings on April 29, May 27, and June 17, 2025, the commission considered an
application for a Preliminary Planned Unit Development (PUD) application for construction of a
mixed use development at 10 Water Street that included demolition of a portion of the rear of
the Tonka Theater and the entire 1989 addition in order to accommodate surface parking and a
new building. The commission approved HPC Resolution 2025-04 providing findings of fact and
making recommendations to the City Council that included the finding that the city must review
and approve a Site Alteration Permit for the proposed demolition of the Tonka Theater.
7. At the City Council meetings on July 21 and August 4, 2025, the City Council considered the
application for a Preliminary PUD and approved resolution 2025-42 approving the Preliminary
PUD with the condition, among other conditions, that a Site Alteration Permit application for the
proposed demolition and the new construction be submitted to the City and approved.
8. At the HPC meeting on February 24, 2026, the commission denied the demolition of the rear 55’
of the Tonka Theater at 26 Water Street (Resolution 2026-01) with conditions.
9. Section 20-3 of the Excelsior City Code defines “demolition” as “Any act that destroys or
removes more than 30 percent of the building or other structure” and defines “partial
demolition” as “any act which destroys a portion of a building consisting of not more than 30%
of the floor area of the building, and where the portion of the building to be demolished is not
readily visible from the street. Partial demolition also includes the demolition or removal of
additions or materials not of the period of significance on any exterior elevation when the
demolition is part of an act of restoring original historic elements of a building and/or restoring a
building to its historical mass and appearance.”
10. The applicant is removing 29.9% of the original building, which is defined as “partial demolition”
in Excelsior City Code. The portion of the building to be demolished is visible from Water Street
and Lake Street.
11. Chapter 20-12(g) provides that the HPC may request a re-use study when considering a
proposed demolition. The applicant did not comply with the requirement.
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## HPC Resolution 2026-07
Page 3 of 7
12. Section 20-11 (h) of the Excelsior City Code states “In making a determination whether to
approve or deny an application for a site alteration permit, the commission shall be guided by
the following criteria:
1) Secretary of the Interior’s Standards and Guidelines.
2) Preservation Design Manual. The design guidelines and standards listed in the
Preservation Design Manual.
3) Additional criteria for proposed alterations within designated historic districts. Before
approving a site alteration permit that involves alterations to a property within an historic
district, the commission (or city council on appeal) shall make the following findings:
a. The alteration is compatible with and will ensure continued significance and integrity
of all contributing properties in the historic district based on the period of significance for
which the district was designated.
b. Granting the site alteration permit will be in keeping with the spirit and intent of this
chapter and will not negatively alter the essential character of the historic district.”
13. Section 20-12 (j) of the Excelsior City Code states “In reviewing an application requesting a site
alteration permit for partial demolition, the Commission shall apply the following criteria:
1) The partial demolition is required for the renovation, restoration or rehabilitation of the
structure; and
2) The applicant has mitigated, to the greatest extent possible:
a. Impacts on the historic importance of the structure or structures located on the property;
and
b. Impacts on the architectural integrity of the structure or structures located on the
property.”
## CONCLUSIONS OF LAW
1. The Tonka Theater at 26 Water Street is architecturally significant. The Tonka Theater at 26
Water Street is a contributing structure to the local and National Register Historic District. The
two-story Streamline Moderne theater was designed by renowned architects, Liebenberg and
Kaplan. The building retains the significant character-defining feature of the theater auditorium
space. The scale, sightlines, sloped floor and acoustics were engineered for large groups and
gave power to the theater experience. The building has good integrity and continues as a
unique, architectural landmark in Excelsior. The auditorium is the character-defining
architectural feature of the Tonka Theater and removing it permanently damages the historic
integrity of the building and will remove the building as “contributing” resource in the historic
district.
2. The Tonka Theater is historically significant. The Tonka Theater is a significant landmark in the
history of Excelsior and provided entertainment and enrichment experiences for over 70 years.
The theater space is a rare civic space in Excelsior and is significant as a community gathering
place. During its use, the theater’s patrons invigorated the community and contributed to street
Page 37 of 135
## HPC Resolution 2026-07
Page 4 of 7
traffic and night traffic and provided commercial activity to the surrounding businesses. The
theater auditorium was a purpose-built civic space designed for the shared experience and
remains as a physical reminder of its time.
3. The Tonka Theater is linked historically and architecturally to the buildings in the Excelsior
Commercial Historic District and their concentration and continuity possesses greater
significance as a whole. The two-block Excelsior Commercial Historic District has 32 contributing
buildings. The cohesive district is unique because it features multiple commercial building types
and a range of architectural styles from 1886 until 1955. The buildings are linked historically and
architecturally and tell the story of Excelsior’s commercial history; they feature examples of a
pharmacy, grocery, two fraternal organization buildings, an auto repair building, an auto
dealership, multiple commercial buildings and one movie theater. The size and scale of each of
these buildings reflects their historic use and the concentration of so many intact historical
examples is exceptional. The continuous economic stability of the district is partially due to the
high integrity and cohesiveness of the historic buildings.
4. The two condition reports provided to the HPC did not recommend demolition nor did they
provide costs for repairs. These two reports did not provide evidence that the building is not
sound and cannot be rehabilitated into modern uses.
5. The SAP does not meet the first of two “additional criteria for proposed alterations within
designated historic districts” per Section 20-11 (h)(3). The Tonka Theater is a contributing
building to the historic district. The entire theater was built during the period of significance.
The proposed partial demolition of the Tonka Theater alters the auditorium and scale of the
building. The District contains 32 contributing structures and only 4 noncontributing. Partial
demolition will remove the contributing status of the Tonka theater building and harms the
concentration of historic buildings of varying scale and architectural style which is the essence of
the downtown historic district in Excelsior. Approving the partial demolition of the building does
not maintain the significance or integrity of the building or the historic district.
6. The SAP does not meet the second of two “additional criteria for proposed alterations within
designated historic districts: per Section 20-11 (h)(3). The partial demolition of the Tonka
Theater is not in keeping with the spirit and intent of the preservation chapter of the city code.
The City of Excelsior designated the historic district locally and nationally because it is an area of
downtown whose buildings are linked historically and architecturally and as a whole tell the
story of Excelsior’s commercial history. The district is remarkably intact. The size and scale of
these buildings contribute to their importance, both as individual structures and as a district as a
whole. To remove part of the Tonka Theater building whose character-defining element is the
auditorium and its scale, will negatively alter the essential character of the district.
Furthermore, it is important to understand the precedence of the proposed demolition.
Allowing the demolition would not only alter the significance of the Tonka Theater and the
historic district, it is also setting a precedent.
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## HPC Resolution 2026-07
Page 5 of 7
Allowing the partial demolition without any evidence of structural failure, cost analysis for
rehabilitation, market and reuse studies, will set a precedent for future demolition reviews in
the historic district and for landmarks in Excelsior.
7. The partial demolition of the Tonka Theater at 26 Water Street is not consistent with the
required findings per Section 20-12 (h) of the Excelsior City Code for site alteration permit:
(a) The partial demolition is required for the renovation, restoration or rehabilitation of the
structure. The applicant has not provided evidence that the partial demolition is required for
renovation, restoration or rehabilitation of the theater. In fact, the partial demolition makes
renovation, restoration and rehabilitation of the landmark impossible. The structural and
environmental reports do not support partial demolition or provide a cost analysis for
repairs. The demolition is proposed to accommodate surface parking and extension of the
new construction on the neighboring parcel. The owner has not provided economic
evidence to support the impracticality of rehabilitation, nor has the owner provided costs
for restoration or rehabilitation. Excelsior has provided multiple examples of rehabilitation
and receiving high economic returns on the investment. It has not been proven that
rehabilitation will reduce the property values, and, in Excelsior, historic buildings usually sell
for higher values.
b) The applicant has mitigated, to the greatest extent possible: Impacts on the historic
importance of the structure or structures located on the property. The Tonka Theater is a
significant landmark in the history of Excelsior and provided entertainment and enrichment
experiences for over 70 years. The theater auditorium was a purpose-built civic space
designed for the shared experience and the building is intact today. The demolition of 51’ 6”
of the building cause the Tonka theater building to lose its contributing status in Excelsior’s
Downtown Historic District. The owner has not attempted to mitigate this impact to the
building or the district. And Impacts on the architectural integrity of the structure or
structures located on the property.
The Tonka Theater is a contributing structure to the local and National Register Historic
District. The two-story Streamline Moderne theater was designed by renowned architects,
Liebenberg and Kaplan. The building retains the significant character-defining features of a
theater including the prominent façade and the theater auditorium space. The auditorium
has integrity and continues as a unique architectural landmark in Excelsior. It is an extant
reminder of the size, scale, massing of the construction period and the mass behind the
façade continues to tell the story of how the building operated.
The mass behind the facade is visible today from Water Street and Lake Street and will be
visible from Water Street and the entrance to the proposed rear-facing retail and
multifamily building. The view of the Tonka Theater building from Water Street will change
significantly if it is shortened by 51’ 6” through partial demolition and replaced with the
proposed 3 story multifamily building. The three-story massing of the proposed multifamily
building will rise above the shortened theater, diminishing its profile as seen from Water
Street.
The applicant has not provided evidence of any attempts to mitigate the loss of the
landmark space nor has the applicant provided costs for reuse or rehabilitation.
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## HPC Resolution 2026-07
Page 6 of 7
Furthermore, allowing the partial demolition has the potential to alter the historic district
with future demolition reviews.
8. The “partial demolition” does not meet the “additional criteria for partial demolition findings”
and the applicant has not provided any evidence that the partial demolition is required for the
renovation, restoration or rehabilitation of the structure.
9. The applicant has not provided any attempts to mitigate the “the impacts of the historic
importance of the structure” or the “architectural integrity of the structure” caused by the
“partial demolition.”
10. The partial demolition is not consistent with the guidance in The Secretary of the Interior’s
Standards and Guidelines for Rehabilitation which state: 1) a property shall be used for is
historic purpose or be placed in a new use that requires minimal change to the defining
characteristics of the building and its site and environment; 2) the historic character of a
property shall be retained and preserved. The removal of historic materials or alteration of
features and spaces that characterize a property shall be avoided.
11. The design of the façade does not follow The Secretary of the Interior’s Standards and Guidelines
for Rehabilitation and the Preservation Design Manual which require designs be based on the
original design. The non-historic siding should be removed in order to evaluate the remaining
historic fabric at the façade. The proposed design should be based on historic images and
remaining fabric under the wood siding.
12. The general design of the rear wall follows the design guidelines of the Preservation Design
Manual, but lacks specifications, measurements, colors required for final review. The “partial
demolition” of the rear wall does not meet the required findings in the city code, but the
proposed wall design can be accomplished in the current rear wall with further details.
13. The general design of the rear wall follows the design guidelines of the Preservation Design
Manual, but lacks specifications, measurements, colors required for final review. The “partial
demolition” of the rear wall does not meet the required findings in the city code, but the
proposed wall design can be accomplished in the current rear wall with further details.
14. The proposed reconstruction of the marquee meets the guidelines in the Preservation Design
Manual, but the marquee signage and lighting do not meet the guidelines. The Preservation
Design Manual does not allow internally lit signage. Signs should follow historic precedent and
historic images are available to guide the design. The marquee letters were historically placed
on the face of the marquee and were not lighted.
## CONDITIONS
1. The applicant shall remove the non-historic wood siding at the façade before further façade
improvements are undertaken. The proposed alterations should be based on the historic images
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## HPC Resolution 2026-07
Page 7 of 7
and remaining historic fabric. The final façade alterations and design shall be submitted to HPC
staff for final review.
2. Specifications of the proposed door systems at the façade shall be submitted to HPC staff for
final review. The door design should be guided by historic images and remaining historic fabric
under the wood siding.
3. Signage on the marquee shall be placed on the sign band of the marquee. Internally-lit letters
are not approved and lighting under the canopy is not approved. The final design must be
submitted to HPC staff for final review.
4. Tenant signage for the building shall be submitted in a Site Alteration Permit application for HPC
review.
5. The site plan must be corrected to accurately illustrate building dimensions at the rear elevation
of the Tonka Theater building and adjacent building at 28 Water Street.
6. The property owner must maintain the building and prevent further deterioration.
7. Seismic monitoring during construction at neighboring parcels must be undertaken to protect
historic resources.
8. Before the 1989 theater addition is removed, the applicant shall provide conditions and repair
of the theater wall for HPC review and approval.
9. This resolution is consistent with HPC Resolution 2026-01and that resolution remains in effect.
Adopted by the Heritage Preservation Commission of the City of Excelsior, Minnesota, this 29
th
day of
June 2026.
## HERITAGE PRESERVATION COMMISSION
__________________________
## Tim Caron, Chair
Page 41 of 135
## City of Excelsior
## Julia Mullin, Community Development Director
## 37 Water Street
## Excelsior, MN 55331
## Re: Site Alteration Permit for Tonka Theater
## History and Period of Significance
The Tonka Theater was constructed in 1940 by the Streater Lumber Company of Spring Park,
MN at a cost of $30,000. The 500-seat theater opened on April 26, 1940, operated by Lyle
Carisch and Raymond Lee of the Wayzata Theater Company. The east portion of the building
facing Water Street was a two-story mass with a semi-circular canopy with a marquee. The
façade above the canopy had a gentle recessed curve that was fluted. Behind (to the west) of
the two-story mass, there was one story mass with a barrel vault roof which contained the
theater.
In January of 1945 the theater suffered a severe fire. Despite material rationing due to World
War II, the War Production Board granted the project clearances to rebuild. The reconstruction
was designed by Liebenberg & Kaplan Architects and Engineers. According to the Excelsior-Lake
Minnetonka Historical Society, “the reconstruction salvaged much of the original building, but
the new building was described in the local paper as "strictly modern and fireproof. Nautical
murals of steamboats and docks were added to the auditorium as well.””
The name of the theater was changed to the Excelsior Theater in the 1960s, and there were
some renovations during this time, but the full extent of those renovations are unknown. In the
years between 1972 and 1974, many modifications were made to the historic theater, most of
which are still currently in place. The curved canopy was removed and replaced with the flat
band marquee that exists today. The rough-hewn wood siding that exists today was also added
at this time. The upper level balcony was extended and enclosed to create the second theater
space. The name was changed again, this time to Dock Cinema.
In 1989 an addition was added along the south side of the building, which accommodates a
theater that seats approximately 225.
The “Period of Significance” for the Excelsior Commercial Historic District is 1886-1955.
Features, materials, and spaces built outside of the period of significance are non-historic. For
the Tonka Theater these include:
• 1989 Addition
• Storefronts and doors
## • Flat Band Marquee
• Rough wood facing exterior
Page 42 of 135
• Rough wood trim and wall facing in interior
• Upper level modified, extended, and enclosed balcony
• Acoustic materials and fabrics on walls in original theater and balcony
• Audience seats in original theater and upper balcony
• Restrooms
• Acoustic tile ceiling in lobby
Our rehabilitation of the Tonka Theater would restore elements from the period of significance
and create a more authentically contributing building to the Excelsior Commercial Historic
District.
## Reasonable Economic Use of the Property
The Dock Cinema operated successfully through the 2000’s and began to face financial
challenges the following decade as the industry shifted to bigger multiplexes with 10+
auditoriums. The advent of in-home streaming services posed another challenge for the
industry, followed by COVID-19, which was the death knell for many exhibitors. The Dock
attempted to open its doors after the pandemic, but the financial hurdle was insurmountable.
When the cinema was occupiable it could not cover its own operating costs on an annual basis.
It was losing money when accounting for rent, property taxes and CAM (common area
maintenance). Rehabilitation of the building for that primary use does not create reasonable
economic use of the property, is impractical, and nonviable. Adaptive reuse of a functionally
obsolescent, purpose-built building comes with substantial costs and does not create
reasonable value for those costs.
Over the last six years as the doors were temporarily and then permanently closed, we have
been working through concepts to remodel and reopen the space. After a few iterations, one
concept that was deeply explored was to continue showing movies in the 1989 theater while
using historic tax credits to restore the original auditorium as a restaurant and event space.
Ultimately, the design constraints of historic tax credits for adaptive reuse of this purpose built
structure became prohibitive, rendering the building a poor candidate.
When we purchased the 10 Water St. land next door, the plan was refined giving us the best
chance for restoration and reuse becoming part of an overall project. We were told the hotel
concept that we presented to the City would not be approved as a 4-story project, which was
necessary for financing and economic viability. All of the concepts up until that point kept the
original building intact, but without the hotel, no longer could the full event space be
supported. This has led us to where we are today, one final attempt to keep a meaningful
portion of the building, restoring the historic front façade, marquee, lobby and revitalizing the
historic use.
Please find attached the most recent total project cost budget and financial model for a simple
bar/restaurant/retail concept adaptive reuse. This contemplated demolition of the unadaptable
Page 43 of 135
1989 addition, retention of the main auditorium shell, complete interior demolition, code
required work, and the bare minimum scope for viable bar/restaurant/retail space. Only
minimum necessary improvements would be made to the rear alley portion of the building with
only minor repairs on the retaining wall and nothing allocated for stormwater improvements.
This project was not viable even with only the bare-minimum scope and without making long-
term improvements. The project would have cost $4.5 million more than the building would
have been economically worth when completed, was unfinanceable, and had almost no cash
flow.
Thank you for your consideration.
Page 44 of 135
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## City of Excelsior
## 339 Third Street, Excelsior, MN 55331
## Telephone: 952-474-5233 Email:
## APPLICATIONN FORR AA SITEE ALTERATIONN PERMITT
## Applicant’s Name:
## Address:
## Telephone:
Authority toƤle application:
## Ownership
## Tenant
## Other
## If not Owner, Owner’s Name:
## Address:
## Telephone:
## Project Address:
Do you have an architect/engineer or other designer for this project?
## Yes
## No
## Name:
## Address:
Attach the following materials for all a
pplications:
A current photograph of the exterior sides of the building (or site) where work will take place.
A scaled elevation drawing of the sides of the building illustrating the work to be performed.
A scaled site plan (for any site changes).
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## Matt Mithun
## 950 Wayzata Blvd Suite 104
952-473-6422
## Tushie Montgomery Architects
## 7645 Lyndale Ave Suite 100
Page 45 of 135
page2
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A short narrative of the work to be done and how the work relates to the building’s architecture.
Ƥ
of all exterior building materials and colors, including materials samples and paint
chips of proposed colors.
## Note: An a
pplication will not be deemed complete until all of the items above have been submitted
to the City.
## Narrative Descr
iption of Proposed Site Alterations: (Include any changes to masonry walls or
foundations, siding or paint, roofs or chimneys, doors or windows, porches or steps, awnings or
shutters, fences or retaining walls, landscaping or lighting).
Enforcement Acknowledgement: By signing below, the applicant acknowledges that in case any
building or structure subject to the regulation of this ordinance is to be erected or constructed,
reconstructed, altered, repaired, maintained, moved, or subjected to demolition in violation of the
city’s heritage preservation ordinance (chapter 20 of the Excelsior City Code), the zoning
administrator or building official, in addition to any other remedies, may (as is outlined in Excelsior
City Code § 20-17):
(1) Institute civil action for injunctive relief to stop, prevent, or abate a violation of this chapter.
(2)
Issue a stop work order to prevent a continuing violation of this chapter.
(3) Issue a one-year moratorium on all building permits for the subject property for alterations to
a historic resource without an approved site alteration permit.
(4) For removal or total or partial demolition of a historic resource without an approved site
alteration permit, the zoning administrator may also:
a.Issue a five-year moratorium on all building permits for the structure and for the
property, other than as may be required to comply with applicable health and
safety requirements and regulations, and in no event shall any permit authorize
the new construction to exceed the building square footage, height and lot
coverage of the original structure; or
b.Issue a fee of 50 percent of the assessed value of the land and structure prior to
demolition and replacement structure is not to exceed the footprint of the
building that was demolished.
The applicant further acknowledges that any work which proceeds in violation of this chapter, in
contravention of a stop work order, or in disregard of a court ordered injunction shall be a public
nuisance and enforced pursuant to section 16-37 of the City Code and that a person, individual,
partnership, firm, corporation, organization, institution or agency of government that violates this
chapter may be ordered by the court to pay the cost to restore or replicate a resource unlawfully
constructed, altered, repaired, converted, moved, or subjected to demolition.
If you need additional space, please include additional sheets.
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Page 46 of 135
page 3
I hereby certify that the above information, the checklist below and all accompanying documents and
information are true and accurate to the best of my knowledge.
## Applicant’s signature Date
## Site Alteration Permit Checklist Overview
ȋȌ
ơ
Excelsior’s historical and architectural attributes and has prepared a checklist to assist you in
applying for a Site Alteration Permit. In addition to the general materials listed on page 1, applicants
should refer to the checklist below for additional requirements applicable to particular types of
projects. A summary of HPC Guidelines are also available at Excelsior City Hall.
Please be thorough in completing the checklist. The decision of the HPC will be based on the
completed checklist and other materials you submit. Ƥ
ơ
HPC for further review. Work completed without the HPC’s approval is in violation of the City Code
ƤǤ
ơ
regarding the application and checklist. You may contact them at 952-474-5233.
5/26/2026
Page 47 of 135
page 4
## HHERITAGE PRESERVATION COMMISSION
## Site Alteration Permit Checklist
NATURE OF SITE ALTERATION (check all that apply):
٫SIGNAGE (Complete Section 1 below)
## ٫CHANGES IN MATERIAL OR ADDITIONS (Complete Section 2 below)
٫NEW CONSTRUCTION (Complete Section 3 below)
٫DEMOLITION (Complete Section 4 below)
٫RELOCATION OF STRUCTURE (Complete Section 5 below)
٫LANDSCAPE OR PARKING ALTERATIONS (Complete Section 6 below)
## 1. SIGNS AND AWNINGS:
٫Dimensional elevation drawn to scale identifying materials, colors, and lettering style.
## Include
height, width and depth.
٫Description of any proposed lighting.
٫Description of location.
For a wall sign, show how and where it will be attached. For free-standing sign, show height measured from
the existing and proposed grade and site plan with sign location and dimensions from property lines and
dimensions from structures on lot.
## 2. CHANGES IN MATERIAL AND ADDITIONS:
٫Scaled elevation drawing indicating proposed alterations. Minimum scale 1/4” = 1’0”.
Color scale rendering is required for major alterations (those requiring City Design Standards approval).
Include door and window design when proposed to be altered. Manufacturer’s catalog data must be used,
if ap- plicable.
٫Description of all exterior materials and colors.
Include all proposed materials samples and paint chips of proposed colors.
٫Site plan showing dimensions of lot and location and dimensions of existing structures on lot.
Include location and dimensions of all proposed additions.
٫Photographs of existing conditions from all elevations.
Historic photographs should accompany any request to return a structure to an earlier historic appearance.
## 3. NEW CONSTRUCTION:
٫Scaled elevation drawing showing all sides and dimensions. Minimum scale 1/4” = 1’0”.
Color scale rendering is required for all new construction. Include door and window design and description
of all exterior design elements. Manufacturer’s catalog data must be used, if applicable.
Page 48 of 135
page 5
٫Elevation drawings to scale showing relationship to height and massing of adjacent structures.
٫Photographs of proposed site and adjoining properties.
٫Site plan including building footprint and all landscape and parking features.
٫Elevation drawings and material and color details for exterior features.
Include roofs, steps, doors, windows, siding, porches, foundations, walls, etc.
٫Scale model may be required for major construction, as determined by the HPC.
## 4. DEMOLITION:
٫
Ƥ
for proposed demolition.
Ƥ
its value as appraised by a Ƥ real estate appraiser. Provide proof that all reasonable alternatives for
re- use and restoration have been exhausted.
٫Proposed use of site after demolition.
Include plans and construction schedule for proposed structures and evidence of compatibility with all zoning
and comprehensive plan requirements. Plans must demonstrate compatibility with adjacent historic
structures or sites.
٫Photographs of all structures to be demolished.
## 5. RELOCATION OF STRUCTURE:
٫Photograph of existing structure on existing site.
٫Photograph of proposed site and map of location.
٫Reasons for request to move structure.
Information for relocations shall be the same as demolition (for the removal of a structure from a historic
site or district) and new construction (for the relocation of a structure to a site within a historic site or
district).
## 6. LANDSCAPE AND PARKING ALTERATIONS:
٫Site plan showing location and layout.
٫Description or depiction of materials, dimensions and design.
Include location and type of vegetation.
٫Photograph of ơ
areas of site.
Page 49 of 135
page 6
## Procedure for Review of Site Alteration Permits
The application for a Site Alteration Permit, completed checklist and all supporting
information must be received n
no later than 21 calendar days prior to the Heritage
Preservation Commission meeting. Incomplete applications will not be reviewed by
the Commission. The Heritage Preservation Commission normally meets the fourth
Tuesday after the fourth Monday each month. Applicants are strongly encouraged to
attend the meeting.
Decisions of the Heritage Preservation Commission may be appealed by Ƥling notice
with the City Clerk within 10 business days following the meeting.
The Site Alteration Permit does not relieve the property owner from the
responsibility of obtaining any other required permits. Building permits and other
permits may be required even if a Site Alteration Permit is not required. For more
information, please contact Excelsior City Hall.
## NOTICE TO PERSONS COMPLETING THIS FORM
Please be advised that the information requested in this application is sought for the
purpose of evaluating your request.
Any information you submit with this application may be made available to various
City employees, City ƥ
ǡ members of City boards or commissions, and the
public.
You may refuse to provide any of the information requested but that refusal may limit
the City’s ability to act on your request or result in the denial of that request. If you
believe that any information you are providing constitutes private or
Ƥ data
under the Minnesota Government Data Practice Act and you want to limit the
dissemination of that data, please contact the City Manager prior to submitting that
information to discuss whether dissemination of that data may be limited.
Please sign and date below and return with your application as
Ƥ that you
were provided with this Notice.
## SignatureDate
5/26/2026
Page 50 of 135
page7
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## Cityy Sta൵ Usee Only::
## Downtown Historic District:
## Contributing
## Non-contributing
Designated Historic Site No.
## Type of Alteration:
Major change in materials/addition (subject to Design Standards review)
Minor change in materials/addition (not subject to Design Standards review)
New construction/relocation
Landscape/parking alterations
## Demolition/relocation
ȀȋƤȌ
Current Zoning:R-1 R-2 R-3 R-4 B-1 B-2 B-3 B-4 B-5 P Other :
Application deemed complete on by
## Heritage Preservation Commission Action:
On, the action requested in the foregoingapplicationwas:
## Approved
## Conditions:
## Disapproved
## Reasons:
## City Council Determination on Appeal of HPC Action:
## On,
the City Council took the following action on the appeal:
## Sustained HPC Action
## Overturned HPC Action
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Page 51 of 135
## City of Excelsior
## Julia Mullin, Community Development Director
350 Highway 7
Suite 230
## Excelsior, MN
## Re: Approval of Site Alteration Permit for the Tonka Theater
## Ms. Mullin:
On behalf of Mithun Enterprises, please find attached an application for a Site Alteration Permit
(SAP) under Chapter 20 of the Excelsior City Code to authorize partial demolition and
rehabilitation of the Tonka Theater structure located at 26 Water Street (the “Theater”). This
proposal forms a key component of the broader redevelopment of 10 Water Street, introducing
multifamily housing, retail, and restaurant uses on the adjacent parcel while preserving and
reinvesting in the historic theater building itself.
Taking into account the feedback received from the Heritage Preservation Commission (“HPC”)
and in preliminary development plan review before the City Council and Planning Commission,
the development team has refined its preliminary proposal to reduce demolition to only 30
percent of the original structure, retaining 70 percent for stabilization and reuse. The revised
plan represents the least-intrusive, preservation-compliant path toward a commercially viable
reuse of the Theater while maintaining its historic character. The portion proposed for removal is
confined to the rear third of the building, which is structurally compromised and lacks character-
defining features. By limiting demolition to these noncontributing, unsafe elements, the plan
allows the remainder of the structure including its significant historic materials, spatial
relationships, and architectural features to be retained and preserved. Retaining that
compromised section is neither safe nor financially defensible. This plan is the fullest extent of
rehabilitation that remains structurally and economically achievable.
## I. History of the Tonka Theater
The Tonka Theater's history began in 1940 as a single-screen movie house. After being
destroyed by fire in 1945, it was rebuilt with special approval due to wartime material
restrictions, reopening with an art-deco façade. The original "barrel" design with arched ceilings
was replaced by the current simpler concrete design. In the 1970s, a second theater was
added, followed by a third in 1989. The proposed demolition will remove the 1989 addition,
which is not part of the historic designation, along with a limited portion of the original building.
Within the City’s submission for preservation, it described the Tonka Theater as a “two story
concrete movie theater with a flat roof” with “additions not visible from Water Street.” The report
Page 52 of 135
## City of Excelsior
Page 2
remarks that the “building’s only ornamentation is a curved, fluted panel on the second floor.”
These descriptive features will be retained by the plans.
## I. Scope and Purpose of Work
Selective demolition will target areas affected by foundation settlement, roof deterioration, and
grade differential, as documented in the Structural Condition Assessment (AET, Oct 27, 2025).
The primary façade, marquee, and two-story theater volume will be retained, stabilized, and
rehabilitated. Interior work will restore the historic theater's use, preserving its civic function. The
adjacent parcel will be developed for multifamily, retail, and restaurant spaces designed to
complement, not mimic, the historic form. This Project complies with the City Code, including
reference to the Secretary of the Interior’s Standards for Rehabilitation, the Preservation Design
Manual, and all findings required for alterations within the Historic District.
II. The revised Site Alteration Plans (SAP) meet the definition of a “Partial
Demolition” under Section 20-12 of the City Code.
## Under the Excelsior City Code “Partial Demolition means:
any act which destroys a portion of a building consisting of not more than 30 percent of
the floor area of the building, and where the portion of the building to be demolished is
not readily visible from the street. Partial demolition also includes the demolition or
removal of additions or materials not of the period of significance ... as part of restoring
original historic elements of a building and/or restoring a building to its historical mass
and appearance.
This proposal fits this definition: it involves demolishing structurally compromised portions of the
Theater and removing the 1989 addition, which is outside the period of significance. The
demolition will not be visible from Water Street and will maintain the Theater’s historic massing.
Accordingly, the partial demolition standards outlined in 20-12 J apply.
III. Consistency with the Secretary of the Interior’s Standards for Rehabilitation
The proposed rehabilitation of the Theater is guided by the Secretary of the Interior’s Standards
for Rehabilitation (the “Standards”), ensuring that the property’s historic purpose, character, and
integrity are retained and preserved while accommodating contemporary needs. This approach
prioritizes the continuum of importance advanced by the Standards- not all features are equal
and the SAP protects and repairs significant historic features and materials. The proposed
plans limit alternation while integrating life-safety, accessibility, and systems upgrades in a
manner that does not diminish the Theater’s defining qualities. The following discussion
explains how the scope, methods, and materials proposed meet these Standards by balancing
the Theater’s continued viability and public safety with the preservation of its authentic historic
fabric and setting.
1. Use for Historic Purpose: A historic property shall be used for its historic purpose
or be placed in a new use that requires minimal change to the defining characteristics of the
building and its site and environment. The Theater will continue to be used for its historic
purpose as a community gathering place.
2. Retention of Historic Character: The alteration proposed is compatible with and
ensures continued significance and integrity of the Theater. Granting the SAP preserves the
Page 53 of 135
## City of Excelsior
Page 3
essential character of the property by retaining the theater’s historic scale, massing, and civic
function while addressing structural failures that threaten the building’s long-term viability. While
this plan proposes alteration, it is necessary to preserve the theater use and create a functional,
safe, ADA-compliant space for ongoing attendance. This restores the vibrancy of the site
3. Authentic Record of Time and Place: Each historic property shall be recognized
as a physical record of its time, place, and use. Demolition should preserve to the extent
possible, in this case 70% of the original structure, original materials as a primary document of
the history of the building, reflecting the technology, craftsmanship, and cultural values of the
time the Theater constructed (technically, rebuilt after the initial fire at the property after initial
construction). After further study, it is possible to only demolish 30 percent of the original
structure and still correct the structural issues described within the engineer’s report. All
replacement materials will be consistent with existing materials to the extent possible, as
demonstrated on the attached plan set.
4. Recognition of Significant Changes: Most properties change over time; those
changes that have acquired historic significance in their own right shall be retained and
preserved. As described during concept plan review, the portion of the building that is not
original and constructed outside of the period of significance will be fully removed. There is no
evidence to show that the additions 1980’s are significant. The wood paneling along the current
façade shall be removed and the Theater restored to the original stucco material as shown in
the attached plan set. The former Pizza Hut building that was previously demolished was
attached to the Theater. The original Theater exterior was damaged by this adjacent structure,
leaving a clear demarcation on the northeast side of the building where the former restaurant
stood. To the extent appropriate and possible, the Theater exterior will be refined to mirror the
original stucco of the 1940’s theater.
5. Preservation of Distinctive Features: Distinctive features, finishes, and
construction techniques shall be preserved. As previously described, the reconstructed 1945
Theater was crafted as a wartime- concrete block facility. The curved ceiling of the 1940
structure was not rebuilt. The original art deco fluting on the Water Street façade will be
retained and preserved.
6. Repair Rather Than Replacement: Deteriorated historic features shall be
repaired rather than replaced where possible however it is important to note that there has been
broad and extensive change to this building over time. Where necessary, new features will
match the old in design, color, texture, and material. The original Cinema marquee was
removed upon expansion of the Theater in the 1970’s. However, the fluted grooves above the
original and current sign have remained and will be restored and are consistent with the period’s
Page 54 of 135
## City of Excelsior
Page 4
use of bold geometric shapes. Because the original marquee was destroyed, the historic
marquee will be rebuilt and installed as a replica of the original design.
7. Gentle Treatment Methods: The surface cleaning of the exterior structure will be
undertaken using the “gentlest means possible” as described within the Standards in order to
ensure the building is maintained during construction. Rehabilitation will incorporate compatible
paint coating systems following proper surface preparation and the building will be repainted
with colors that are historically appropriate to the building.
8. Protection of Archeological Resources: The Standards require preservation of
significant archeological resources. Based upon consultant review, no such items have been
found on site. During the construction process protective measures will be undertaken to
preserve any such resources.
IV. The proposed alteration is consistent with the findings required by the City
Code.
1. The proposed alteration is compatible with, and will maintain the significance and
integrity of contributing properties in the District based on its designated period of significance.
Between 1981 and 1982, the Historic Preservation Commission (HPC) designated thirty historic
sites, which were subsequently approved by the City Council. The Theater was not among
those sites originally designated. It was not until the completion of a further designation study in
August 2002, that the Theater was identified as a contributing structure within an expanded
historic district.
The revised district boundaries reflect Excelsior’s changing commercial development patterns
from the late 19th and early 20th centuries, centering on Water Street and extending east along
Second and Third Streets. The district captures the city’s transformation from a lakeside tourist
destination to a suburban service center, with a period of significance spanning from the 1870s
through approximately 1955.
By preserving over 70 percent of the structure, retaining the height of the Theater, and being
intentional about restoration to the original marquee, the rehabilitation maintains the
characteristics that defined the Property during its period of significance. The rear volume of the
Theater, which is not visible from Water Street, plays no role in defining visual rhythm or
pedestrian experience of the district. By addressing structural issues and removing non-
contributing additions, the project maintains the integrity and significance of the Property within
the district.
2. Revisions to the Theater are consistent with the spirit and intent of the
preservation ordinance and will not negatively impact the essential character of the historic
district.
Granting the site alteration permit aligns with the intent of Chapter 20 by preserving the
essential character of the historic district. The project focuses on restoring the Theater's historic
use and appearance while ensuring safety and accessibility. The proposed changes are
designed to enhance the district's vibrancy without negatively impacting its historic essence,
ensuring that the district's character is respected and preserved.
Page 55 of 135
## City of Excelsior
Page 5
At the prior HPC meeting, concerns were raised that approving the removal of a significant
portion of the structure could establish a precedent for “facadectomies” thereby negatively
impacting the essential character of the district. However, this proposal is fundamentally
different and is not a “facadectomy.” The removal in question involves 1) non-contributing
additions and 2) a limited portion of a deteriorated component of the original building as
referenced within the attached structural engineering report. A true “facadectomy” contemplates
retaining only the principal face of the building while constructing a completely new internal
structure including changes in height, additional floors, and use.
The proposed removal neither diminishes the essential character of the Theater nor
compromises its presence within the historic district. The proposed demolition does not remove
distinctive materials, features, finishes, or construction techniques relevant to the integrity of the
Theater. Instead, it reflects a reasoned, preservation-oriented response that maintains the
entire visible massing, street-facing façade, and the historically significant portions of the
building, only removing the structurally compromised elements in order to allow constructive
reuse.
3. Proposed changes to the Theater do not threaten its role as a contributing
structure.
A contributing classification means that a property adds to the historic association and/or
architectural importance for which the district is significant. It must have been present during the
district’s historic period of significance and must physically retain a majority of the architectural
characteristics representing that era. In this case, in addition to the proposed SAP retaining the
significant contributing features (like the art deco façade) it notably retains historic integrity.
There is no proposal to move the structure, eliminate the physical characteristics that are
reflective of the period of significance, and the Mithun team has worked diligently to ensure that
the restored site will evoke the sense of time and place of its historic period. Perhaps most
importantly the retention of the historic use of the Property as a theater continues to convey its
importance as a community gathering place.
4. Proposed changes to the Theater do not threaten the scope of the District.
It is also important to note that the partial demolition of a contributing structure located at the
“edge” of a historic district does not compromise the integrity of or protections of the District as a
whole. The proposed changes to the Theater and construction of the Project will not alter the
boundaries of the District. While the former Pizza Hut building was not a historic structure, the
land it occupied remains within the designated District.
5. Partial demolition is required for the rehabilitation of the structure.
The Structural Condition Assessment (SCA) confirms that the broader building meets structural
performance thresholds for safety and access, but acknowledges areas of significant structural
deterioration. In particular 1) existing soil conditions allow for structural movement which is
evident in exterior and interior cracking of the walks and foundation and 2) long term water
intrusion creates risk of deterioration within the structural steel decking of the roof.
As described within NPS Preservation Brief 15: Preservation of Historic Concrete, the building
displays characteristic signs of failure in concrete include cracking and staining. Cracking occurs
in most concrete but will vary in depth, width, direction, pattern, and location, and can be either
active or dormant. Active cracks as referenced in the SCA can widen, deepen, or migrate
Page 56 of 135
## City of Excelsior
Page 6
through the concrete, while dormant cracks remain relatively unchanged in size. Some dormant
cracks, such as those caused by early age shrinkage of the concrete during curing, are not a
structural concern but when left unrepaired- in this case for over 70 years, can provide
convenient channels for moisture penetration and subsequent damage.
Structural cracks can be caused by temporary or continued overloads, uneven foundation
settling, seismic forces, or original design inadequacies. The SCA shows that structural cracks
in this case are likely related to uneven foundation settling and original design constraints.
Structural cracks are active if excessive loads are applied to a structure or if settlement is
ongoing- and here settlement is ongoing.
The removal of non-historic concrete blocks from a historic structure are permissible under the
Standards where the portion removed is determined to be outside the period of significance of
the property, lack historic or architectural significance, or are so deteriorated that their integrity
cannot be restored. Here not only does the portion of the building in question lack historic and
architectural significance, but it is also deteriorated to the extent that its integrity cannot be
restored. Removal is consistent with the overall historic character of the structure and the
district.
By removing a portion of the rear section of the building, both the foundation work can be
completed while also bringing the property into ADA compliance. Water intrusion and foundation
settlement can be fully repaired through the SAP proposed here and without destruction of the
historic materials, features and spatial relationships that characterize the Theater. The proposed
SAP is essential for rehabilitation of the structure and mitigates to the greatest extent possible,
impacts on its historic importance.
## V. Inordinate Hardship
This application advances a viable rehabilitation plan for the Theater. One that preserves its
defining historic signature elements, returns the building to productive use, and meets the
Standards when evaluated in totality. The limited removal of deteriorated, non-character-
defining materials is essential to returning the building to a state of utility and ensuring long-term
preservation of the portions and features that do convey its historic significance. As detailed in
the application, the cumulative effect of the proposed work is consistent with the Property’s
historic character and achieves the central purpose of the rehabilitation standards: facilitating
continued use of a historic resource while retaining the qualities that make it eligible.
However, if partial demolition is not permitted especially where the record establishes it is both
necessary and appropriate, the only remaining regulatory path for ownership is total demolition
under the code’s inordinate-hardship provision. That language requires the City to consider
whether denial of a SAP effectively deprives the owner of reasonable economic use of the
property. The structure as it stands today has no reasonable future. This is not pure conjecture
or even a unique experience for this property. Under the code, inordinate hardship focuses on
the relationship between (1) the cost of repairing the structure in its current deteriorated
condition and (2) its reasonable value after repair.
Ownership has pursued multiple avenues for constructive reuse of the Theater, both as a
theater or as a component of a larger project. One path- an associated entertainment venue
with a hotel was rejected by policymakers. Hypothetical statements such as “turn it into a
brewery” or “it can be fully converted into a restaurant and office space” ignore the structural
realities of the building and the market context. Another path often cited is to simply reopen the
Page 57 of 135
## City of Excelsior
Page 7
theater, while ignoring the needs of the property- like ADA compliance and mold remediation
and the economic realities of the underlying business. For decades, as the industry shifted to
bigger multiplexes with dozens of scre ens and intensive effects dri ven scre ening experiences
independent exhibitors began collapsing. The collapse accelerated with the ri se of in-home
stre aming serv ices, followed by Covid-1 9. To the point that few independent exhibitors and
theaters re main today.
Places like the Tonka Theater are not economically viable. Studies show a structural shift in
consumer behavior: a 2020 Statista consumer survey confirmed widespread preference for at-
home streaming over in-theater attendance, while the New York Times reported that nearly half
of pre-pandemic moviegoers were no longer purchasing tickets at all. The casual moviegoing
segment, once essential to the economic sustainability of small theaters, has eroded.
Meanwhile, the cost of attendance has increased, concessions prices have become a barrier for
families, and outdated facilities have further diminished the perceived value of the theater
experience.
These consumer shifts intersect with broader industry disruptions. Labor-related production
delays and strikes have tightened release schedules, reducing the number of films available to
independent theaters. The dominance of effects-heavy blockbusters has left many patrons
seeking alternatives that smaller theaters cannot reliably provide. This combination of
decreased demand, fewer available titles, and elevated operating costs has created significant
challenges for small, historic theaters nationwide. This is well documented and not unique to
this Property.
Against that backdrop, the City’s inordinate hardship provision supplies the necessary legal
framework should partial demolition be denied. Under the ordinance, the inquiry centers on
whether the preservation mandate would deprive the owner of reasonable economic use of the
property. The analysis turns on the relationship between the cost of repairing severely
deteriorated components and the property’s reasonable post-repair value.
This local standard aligns with broader preservation jurisprudence. Courts addressing hardship
in historic-preservation contexts distinguish between legitimate standards such as “substantial
financial hardship” and the constitutionally impermissible requirement that an owner prove a
complete denial of all reasonable use. The question is whether preservation restrictions impose
undue financial burdens or render viable economic use unachievable. Judicial decisions
evaluate factors including the feasibility of alternative uses, the compatibility of proposed
alterations with the landmark’s character, and whether the reviewing body rigorously
investigated alternatives that would minimize harm. Historic-preservation zoning operates as an
overlay on traditional zoning authority, typically constrained by enabling statutes, and must
balance owners’ rights with the governmental interest in preserving historic resources. This
framework demands careful attention to economic impacts and the availability of adaptive reuse
options while avoiding unnecessary harm to a historic property.
In this case, insisting on retention of deteriorated, non-character-defining components that
cannot be feasibly rehabilitated would make it impossible to return the theater to safe,
functional, code-compliant use. Under such circumstances, the ordinance contemplates
evidence demonstrating that rehabilitation is impractical and that reasonable economic use
cannot be achieved, including feasibility analyses, cost/value comparisons, adaptive-reuse
scenarios, and attempts to sell, rent, or lease the property. As previously presented to staff,
advisory boards and the City Council- all of these factors exist and are well documented.
Page 58 of 135
## City of Excelsior
Page 8
The ownership group is expressly seeking to avoid total demolition of the structure. By
proposing a narrow, preservation-consistent partial demolition as part of an overall rehabilitation
that satisfies the Standards, the SAP preserves the building’s historic character, returns it to
productive use, and avoids the need to invoke the hardship framework that could otherwise
trigger consideration of full demolition under the City’s own code.
## VI. Conclusion
Under federal regulations, "rehabilitation" refers to returning a building to a state of utility
through repair or alteration, enabling efficient use while preserving significant historic,
architectural, and cultural features. 36 C.F.R. § 67.2(b).
The proposed work aligns with this definition, involving alterations only as needed to ensure the
building is safe, usable, and code-compliant, maintaining its historic role as a community
gathering place. Alterations are limited to non-character-defining, structurally compromised, or
heavily modified areas lacking integrity. These changes address structural deterioration,
foundation settlement, roof failures, and non-compliant egress conditions documented in the
## SCA.
We respectfully request approval of the Site Alteration Permit for the partial demolition and
rehabilitation of the Tonka Theater. The proposal preserves over 70% of the structure, ensuring
the theater’s historic materials, features, and character are retained and sensitively treated. The
project complies with the Excelsior City Code, integrating compliance measures into its scope,
sequencing, and construction methodologies. It balances preservation with revitalization,
maintaining the theater’s historic character while introducing new uses on the adjacent parcel
for long-term viability. We appreciate your consideration and look forward to collaborating with
the City to finalize any necessary conditions for this historically respectful and code-compliant
rehabilitation.
4931-4152-2551, v. 3
Page 59 of 135
## 3-Story Mixed Use
28 Water St.
## Lago Taco's
34 Water St.
## Retail
347 2nd St.
## Retail / Business
## Surface Parking
24 Spaces
06
07
## Lake Street
## W
a
t
e
r
## S
t
r
e
e
t
## Level 1: Common, Units & Retail
## Levels 2-3: Units
## Dock
## Cinema
## Alley
## Garage Entry
Amenity Deck w/ fire pit area and grill station
## Dining Patio
## R
a
m
p
## U
p
## Plaza & Plaza Steps
1st Floor: Walk up units, Typ.
2nd - 3rd Floor: Balconies, Typ.
## Retail Entry
## SWCP
## Wood fenceBoulder Retaining Wall
## New Recon Retaining Wall
2
4
'
-
0
"
04
## Retail Corridor Entry
20' - 0"24' - 0"20' - 0"
## Apartment Entry
## Apartment Entry
## Existing Alley
## 10'X25' Loading Zone
## Temporary Parking
20' - 0"
## Amenity Deck
@ Rooftop
## Property Line
## P
r
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## Stair Shaft & Access
## Elevator Shaft & Access
## B
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@
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## B
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@
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## F
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## Walkway to Amenity Deck
## Sloped Sidewalk
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## C
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## Property Line
## P
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## Rear Yard Setback
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## B
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## Apartment Entry
03
## Temp. Parking
04
## C
a
n
o
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y
## Dock Cinema Renovation
## - Facade Restoration
## -1st Floor Commercial Space
## -2nd Floor Theater Room
## Level 1: Commercial
## Levels 2: Theater Room
## Public Porch
## Public Seating
## Public Seating
## B
a
l
c
o
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## B
a
l
c
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## Balcony
## Balcony
## Balcony
## Balcony
## B
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## ADA Ramp
## N
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w
## R
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## R
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## W
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## Fire Pit
## Colored Concrete
## Existing Tree
## New Tree
## Rock Curb Stops
## BalconyBalconyBalconyBalcony
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## NOT F
## O
## R
## CO
## N
## STRUCT
## IO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## TAM
## 2023 Tushie Montgomery & Associates, P.C.©
## Lake & Water
## 10 Water St. Excelsior, MN 55331
## Preliminary PUD
## A02
## Architectural Site
## Plan
## 224158A
## SCALE
1/16" = 1'-0"
1
## Architectural Site Plan
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Page 76 of 135
## STRUCTURAL CONDITION ASSESSMENT
of the
## Dock Cinema
## Excelsior, Minnesota
October 27, 2025
## Project Address:
## 26 Water Street
## Excelsior, MN
Date: October 27, 2025
## To:
## Tim Marco, Mark McLane
## Marco McLane
## Prepared By: Matt Thomas, PE
## Meyer Borgman Johnson
## 801 Nicollet Mall, Suite W2000
## Minneapolis, MN 55402
## MBJ Comm. No: M25.357.0
Please contact Matt Thomas, PE at 612-338-0713 or mthomas@mbjeng.com if you have questions
regarding this report.
## EXECUTIVE SUMMARY
A walk-through assessment was conducted on September 29, 2025 to review the overall condition of
the downtown Excelsior Dock Cinema facility. The facility is comprised of an original 1940s-era theater
building and an adjacent theater addition that was added in 1989.
This report summarizes our findings with respect to the condition and the necessary structural repairs,
strengthening, or replacement that we find would be necessary to re-establish the facility as an
occupiable and functional building use.
## INTRODUCTION
The purpose of this Structural Condition Assessment is to investigate the existing facility located at 26
Water Street in Excelsior to evaluate the conditions of the structural elements and systems. An
evaluation of the 1989 theater addition is not included in this report. The scope of investigation included
Page 77 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 2 M25.357.0
the visible areas of the basement mechanical area, the main floor and 2
nd
floor balcony areas, the
exterior masonry walls, and interior structural framing were visible or exposed via selective demolition
efforts. Findings were limited to areas where structural elements were exposed for observation.
Methods of investigation included a review of past documentation, including previous building fit plans
and a historic review report by New History dated February 7, 2022.
Visual observations of the exposed structural conditions and limited measurements were taken as
needed to develop a basic level of understanding of the condition of the existing structural elements.
This report will provide a summary of our assessment study findings which will include
recommendations to retrofit or strengthen, if necessary, damaged or deficient structural elements,
photos of these structural elements that can inform the cost determination to be prepared by a general
contractor, and recommendations for further testing or investigative work that may be needed based
on the observed conditions.
## GENERAL DESCRIPTION OF STRUCTURE
The primary theater and associated entry lobby is generally fully covered by finish materials allowing
for limited observations of the structural configurations or condition. Areas of limited selective
demolition were made to allow for observation of key structural configurations or interfaces.
The primary structural system for the building consists of a steel joist and steel beam roof system
supporting a steel metal deck at the two-story high theater volume. A cast-in-place concrete structure
(slabs, beams, walls) is used for the two-level lobby and 2
nd
floor balcony/theater space. When the 2
nd
floor balcony was converted to an upper level theater, dimensional lumber wood framing and concrete
masonry was used for new wall and floor framing. Wood framed overframing appears to have been
used above the original concrete balcony framing. A majority of the building’s exterior walls are
masonry and brick construction with a cementitious/stucco coating.
## OBSERVATIONS
Main floor
Observations at the main floor (theater and lobby) include:
1. Water intrusion was noted at a portion of the lobby area at about the midlength of the building.
Deteriorated ceiling tiles and extensive wetness and molding conditions were noted on the fixed
seats and carpet at extensive areas.
a. Recommendation: Repair compromised roof area. Refer to recommendations by others
for mitigation of moisture-impacted finishes.
2. The slab-on-grade slopes down to the main theater screen/stage area. The egress access at
the alley end of the building appears to be quite steep and not compliant with ADA requirements
Page 78 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 3 M25.357.0
for slope and width. Although not a structural performance issue, extensive modification to the
structural framing would be required to mitigate this condition.
a. Recommendation: Amend both egress ways by demolishing and reconstructing the
structural concrete framing over the mechanical basement area at the ‘north’ end of the
building. Some reconfiguration of the basement mechanical may be necessary to allow
for this reconstruction and for clearance for proper egress. See Figures 1 and 2.
Figure 1: Narrow and steep concrete slab at egress
Page 79 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 4 M25.357.0
Figure 2: Concrete construction at steep egress ramp
2
nd
## Floor
Observations at the 2
nd
floor balcony and projection room include:
1. The concrete construction of the 2
nd
floor and the roof slab over the 2
nd
floor appeared to be in
good condition. No structural issues were identified in the limited observations of the exposed
structure. It was noted that the roof slab opening for access to the roof hatch is not compliant
with several requirements related to safe worker access.
a. Recommendation: If renovations proceed for the building, we recommend that
modifications to the existing roof hatch location or protective equipment for fall
prevention and protection be considered.
## Roof
Observations of the roof structure include:
1. As noted previously, it was observed that there is an active roof leak that is allowing moisture
to enter the main theater space. Where we were able to observe the roof structure through
openings made in the ceiling finishes, the steel roof joists bottom chord rods (deformed ‘rebar’
rods) have very minimal protective coating and have areas of surface corrosion. The steel roof
deck also has spotty evidence of corrosion. The steel beams appear to have a more intact primer
or coating protection. Exposure to moisture accelerates existing or previous corrosion effects.
Page 80 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 5 M25.357.0
a. Recommendation: Where the roof is experiencing water intrusion, we recommend a plan
to address corrosion and deterioration at the adjacent structural steel deck and steel
joists. We recommend that an inspection be made of the whole roof area to investigate
the extent of structural deterioration that will require structural work. See Figure 3.
Figure 3: Steel roof framing (not at roof leak area)
2. The roof framing appeared to be quite flat with minimal slope. One roof drain on the main roof
was noted. Areas of ballast were not well distributed and the membrane may be compromised
due to age and lack of ballast coverage. Roof elevations and degree of slope were not measured.
a. Recommendation: Further analysis of the roof structure, slope, and drainage is required.
We recommend a budget for new roofing, additional drains, and/or tapered insulation
(which may affect the parapet condition) be considered.
Exterior walls
Observations of the exterior and basement walls include:
1. A significant vertical crack was noted at the back wall of the main theater building wall in the
stucco exterior. It is expected that the crack extends through the wall and is not just a shrinkage
crack in the stucco material. This crack may be related to other cracked conditions at the
Page 81 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 6 M25.357.0
northeast portion of the building. See below of overall recommendations related to foundation
conditions and the exterior wall.
Figure 4: Vertical crack at back wall of building
2. There is a small partial basement level housing mechanical equipment at the north end of the
building. The access to this level is limited to one narrow door and stairway. The basement is
constructed with both cast-in-place concrete and concrete masonry walls. At the east end of
the south wall of this basement area, stairstep cracking was noted in the masonry wall indicating
settlement of the foundations and east wall of the building has occurred. See Figure 5. Refer
also to recommendations below of comments regarding foundation conditions at the east wall.
Page 82 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 7 M25.357.0
Figure 5: Basement wall cracking adjacent to east wall (looking south)
3. At the ‘east’ (lake side) exterior wall facing the empty lot additional stair step cracking was
noted at about the 1/3 point location (from the back wall). The cracking projected through the
exterior stucco finish and appeared to correspond to a concrete block module (8-in high and
wide step increments). See Figure 6.
Figure 6: Cracking at east (lakeside) wall
Page 83 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 8 M25.357.0
4. The three incidents of wall cracking at the back wall, basement CMU, and exterior east wall
indicate that there has been some settlement of the foundation condition at the ‘northeast’
portion of the building. Although significant structural distress has not yet been noted, there is
potential for additional differential structural movement. Additionally, a review of the soil
borings acquired in 2005 by Bruan Intertec and reproduced in AET’s geotechnical report dated
August 11, 2023 shows that there is a layer of organic clay material immediately adjacent to
the Dock Cinema building east wall. This location of this weaker soil layer coincides with the
stair step cracking in the east wall and may indicate a generally softer soil condition at this
northeast area of the building.
a. Recommendations:
i. Further investigation of the soil conditions at the northeast portion of the building
is warranted to understand the performance expectations of the building for long-
term behavior as well as the risks associated of maintaining the integrity of the
Dock Cinema building when adjacent construction would occur.
ii. To prevent further movement of the building foundations and to preclude
settlement movement during adjacent construction several foundation
stabilization techniques exist, including: traditional underpinning, micropile or
helical pier foundations, or jet-grouting. Based on the clayey material conditions,
soil stabilization methods such as permeation grouting would not be successful.
iii. With its relatively rigid exterior wall materials (CMU, brick, and stucco) we
recommend that precautions be taken during any adjacent construction to
control vibrations through selective methods to minimize the potential for further
settlement related cracking. The back portion of the building appears to be most
sensitive to this potential settlement risk.
## CONCLUSIONS
In general, the original building structure has shown acceptable structural performance, but areas of
potential structural deterioration and observed structural settlement have been noted. Accessibility and
mold/fungal issues have also been identified and should be remedied in accordance with
recommendations by others. Structural work advised includes investigation and mitigation, as needed,
of roof sloping and drainage issues, and settlement risk related to foundation strengthening and
support.
A key area that will require structural investigation and likely retrofit work is the roof structure
deterioration due to the failed roofing condition. Additionally, settlements where cracking of the CMU
walls was noted in the back portion of the building, where ongoing and progressive settlements are
possible due to clayey soils, should be investigated and mitigated to prevent further damage.
Page 84 of 135
## STRUCTURAL CONDITION ASSESSMENT October 27, 2025
## Page 9 M25.357.0
## LIMITATIONS
The professional engineering opinions and recommendations contained in this report exclusively
concern structural elements, based on visual observation of accessible areas as defined by the limits
of the scope of investigation and documents available to us at the time of this report. This assessment
does not constitute a warranty or guarantee of performance, including future or latent conditions of
the structure, nor does it provide verification of original structural design capacity, occupancy loading
requirements or other code compliance, or compliance with existing documents, except where explicitly
noted.
We appreciate the opportunity to prepare this report for your use. If you have any questions, please
do not hesitate to contact us.
## Sincerely,
## MEYER BORGMAN JOHNSON
## Matt Thomas, PE
Page 85 of 135
## Project:
## Date:
Site Area:0.60 acres26,136 sf
## Site Cost :
$1,500,000$57.39/sf
## Total Site Cost:$1,500,000
5,066 sf
00 sf
0.00%5,066 sf
1,868 sf
00 sf
0.00%1,868 sf
6,934 sf
00 sf
0.00% avg6,934 sf
## Ratio-Net Usable Building Area To Land Area =
26.53%
## Ratio-Gross Building Area To Land Area =
26.53%
## Ratio-Net Rentable Building Area To Gross Building Area =
100.00%
## Parking Summary:# of Spaces
## SF Per Space (Net
## Parking SF)
## Circulation Space Per
## Parking Space
## Total Parking SF (Gross
## Parking SF)
## Structured Parking-Under Ground
000 sf00 sf00 sf
Structured Parking-Above Ground000 sf00 sf00 sf
Surface Parking2400 sf00 sf00 sf
Total Parking240sf.- avg0sf.- avg00 sf
00 sf00 sf
Parking Spaces Per 1,000sf of NRA = 3.466,934 sf
## Net Usable AreaGross-Up Area
## Gross-Up
## Percentage
## Total Gross & Net
## Rentable Area
## DESCRIPTION OF SPACE TO BE DEVELOPED:
## PROJECT SUMMARY
## Bar-Restaurant Reuse Tonka Theatre - 1989 Cinema Demo
## SITE ACQUISITION COSTS:
## TOTAL AREAS:
## First Floor
## Mezzanine
Page 86 of 135
## Project:
## Date:
## Cost/SF Based
## on Usable Area
## Costs/SF Based
on GBA & NRA
## Project Costs
## Site Purchase Price$216.33/sf$216.33/sf$1,500,000
$104.56/sf$104.56/sf$725,000
$37.50/sf$37.50/sf$260,000
$15.86/sf$15.86/sf$110,000
$0.00/sf$0.00/sf$0
$3.61/sf
$3.61/sf$25,000
$0.00/sf
$0.00/sf$0
$161.52/sf
$161.52/sf$1,120,000
## BUILDING SHELL CONSTRUCTION COSTS:
$345.31/sf
$345.31/sf$1,749,340
$345.31/sf$345.31/sf$645,039
$345.31/sf$345.31/sf$2,394,380
# of Spaces
## Cost Per Parking
## Space
## 0 $ - #DIV/0!#DIV/0!$0
## 0 $ - #DIV/0!#DIV/0!$0
## 24 $ - #DIV/0!#DIV/0!$0
24$0 $0
$75.00/sf$75.00/sf$379,950
$0.00/sf
$0.00/sf$0
$54.80/sf$54.80/sf$379,950
## Owner Hard Cost Contingency Reserve:15.00%$60.02/sf$60.02/sf$416,149
$621.64/sf$621.64/sf$4,310,479
## SITEWORK COSTS:
## PROJECT COST STATEMENT
## Site ACQUISITION COSTS:
## CONSTRUCTION (Hard) COSTS:
Site work - Soil Corrections - Shoring - Foundation Repairs - Parking
## 89 Cinema Demolition
## HazMat Abatement
## Storm Water
## Onsite Improvements (Landscaping)
Engineered Rataining Wall design, demolition, and replacement
## TOTAL SITEWORK COSTS:
## First Floor
## Mezzanine
## TENANT IMPROVEMENT COSTS:
## TOTAL BUILDING SHELL CONSTRUCTION COSTS:
* The cost per square foot for these spaces are based only on each specific space and not on the total
## PARKING COSTS:
## Structured Parking-Under Ground
## Structured Parking-Above Ground
## Surface Parking
## Total Parking Cost
* The cost per square foot for these spaces are based only on each specific space and not on the total
## TOTAL TENANT IMPROVEMENT COSTS:
* The cost per square foot for these spaces are based only on each specific space and not on the total
## TOTAL CONSTRUCTION (Hard) COSTS:
## Bar-Restaurant Reuse Tonka Theatre - 1989 Cinema Demo
## First Floor
## Mezzanine
Page 87 of 135
## DEVELOPMENT & SOFT COST
:
## Soft Costs Incurred in Connection with Site Acquisition:
## Closing Costs$0.00/sf
$0.00/sf$0
## Appraisal Fee$1.23/sf
$1.23/sf$8,500
## Real Estate Taxes
$4.23/sf
$4.23/sf$29,343
## Mortgage Registration Tax
## 0.24% Of Mortgage Amount$0.60/sf
$0.60/sf$4,176
## Title/Recording
$0.00/sf
$0.00/sf$0
## Title Transfer Tax
$0.00/sf
$0.00/sf$0
## Title Insurance Premium
$1.04/sf
$1.04/sf$7,200
## Architechural & Engineering:
## Civil Engineering0.00%$6.49/sf$6.49/sf
$45,000
## Architecture/Interior/Specialty Theatre Design Consultants 0.00%$15.14/sf$15.14/sf
$105,000
## Structural Engineer0.00%$9.37/sf$9.37/sf
$65,000
MEP $6.49/sf$6.49/sf
$45,000
## Cinema Equipment $0.00/sf$0.00/sf
$0
## Landscape$0.00/sf$0.00/sf
## Legal Fees:
## Legal - Entitlements$0.00/sf$0.00/sf
$0
## Legal - Documentation$0.00/sf$0.00/sf
$0
## Legal - Lender$3.61/sf$3.61/sf
$25,000
## Other Soft Costs:
## Survey
$0.44/sf$0.44/sf
$3,023
## Geotechnical Consultant$1.37/sf$1.37/sf
$9,500
## Environmental Consultants$2.24/sf
$2.24/sf$15,500
## Commercial Leasing Commissions $9.93/sf$9.93/sf
$68,884
## Permit Fees - Building$4.66/sf
$4.66/sf$32,329
## Offsite Parking During Construction$1.44/sf$1.44/sf$10,000
$0.00/sf$0.00/sf$0
## Planning/Zoning Fees$1.08/sf$1.08/sf$7,500
## Park Dedication/Impact Fees$0.00/sf$0.00/sf$0
## SAC/WAC Fees$0.00/sf$0.00/sf$0
## Lender Architect/Engineering Inspections$1.59/sf$1.59/sf$11,000
## Insurance - Owner Liability$0.00/sf
$0.00/sf$0
## Insurance - Builders Risk
$3.12/sf$3.12/sf$21,657
## Testing & Inspections$5.77/sf
$5.77/sf
$40,000
## MEP Commissioning$3.61/sf
$3.61/sf$25,000
$0.00/sf$0.00/sf$0
## Operations Start-Up Costs
$6.49/sf$6.49/sf$45,000
## Operations Deficit
$0.00/sf$0.00/sf$0
## FFE
$10.82/sf$10.82/sf$75,000
## Development Consulting$0.00/sf$0.00/sf$0
## Soft Cost Contingency5.00%
$5.04/sf$5.04/sf$34,931
3.50%
$34.04/sf$34.04/sf$236,000
$139.82/sf$139.82/sf$969,542
## Subtotal-Project Costs Before Financing Costs$977.79/sf$977.79/sf$6,780,021
0.00%$0.00/sf$0.00/sf$0
0.50%$1.15/sf$1.15/sf$7,957
0.00%$0.00/sf
$0.00/sf$0
$3.48/sf$3.48/sf$24,136
$4.63/sf
$4.63/sf$32,093
$982.42/sf$982.42/sf
$6,812,114
## Construction Loan Brokerage/Origination Fees
## Market Studies
## TOTAL FINANCING COSTS:
## TOTAL PROJECT COSTS:
## DEVELOPMENT FEE
## SUBTOTAL DEVELOPMENT & SOFT COSTS
:
## FINANCING COSTS:
## Lender Required Contingency
## Loan Broker Placement Fee
## Construction Loan Interest Reserve
Page 88 of 135
## Project:
## Date:
## I. Base Rental Income:
## Rentable AreaFirst Year Base Rental Income/SF
## First Year Annual Base
## Rent
## Years In Lease
## Term
## Stabilized Vacancy %Stabilized Vacant SF
15,066 sf25.00$ 126,650$ 10.005.00%253 SF
31,868 sf20.00$ 37,360$ 10.005.00%93 SF
2SubTotal /Average6,934 sf$23.65 weighted Avg.164,010$ 6.67 avg.5.00% avg347 SF
## II.
## Base Rent Escalations:
## Input In One Of The Following Shaded Cells Only:
## Base Rent To Increase Annually By
-$
## Per SFFALSE
## Base Rent To Increase Annually By
3.00%
## TRUE
Base Rent To Increase Annually By -$ DollarsFALSE
## Base Rent To Increase In Year 6By0.00%FALSE
## Additionally, Input Year 11 Base Rent Increase Percentage Below:
## Base Rent To Increase In Year 11By3.00%TRUE
## III.Other Income:
## Parking-
# of Stalls Available
## Monthly Rent/Stall
## Total Potential Monthly
## Parking Rent
## Total Potential Annual
## Parking Rent
## Annual Parking
## Inflation Rate
## Parking Vacancy
## Factor
Structured Parking-Under Ground0-$ -$ -$ 0.00%0.00%
Structured Parking-Above Ground0-$ -$ -$ 0.00%0.
00%
Surface Parking24-$ -$ -$ 0.00%0.00%
Total Stalls24$0.00/stall avg.-$ -$ 0.00%0.00%
## IV.
## First Stabilized Year Operating Expenses
## Enter Expense Per SFAnnual Operating Expenses
## Operating Expense
## Annual Inflation Rate
Real Estate Taxes$6.51/sf45,140$ 3.00%
Liability Insurance$0.50/sf3,467$ 3.00%
Utilities$0.00/sf-$ 3.00%
CAM$6.00/sf41,604$ 3.00%
Security$0.00/sf-$ 3.00%
Janitorial$0.00/sf-$ 3.00%
Landscaping$0.00/sf-$ 3.00%
Snow Removal$0.00/sf-$ 3.00%
Administrative$0.00/sf-$ 3.00%
Miscellaneous$0.00/sf-$ 3.00%
Landlord Expenses$0.00/sf-$ 3.00%
Ground Lease Payments$0.00/sf-$ 3.00%
Structural Reserve$0.10/sf693$ 3.00%
Re-Tenanting Reserve$0.10/sf693$ 3.00%
## Management Fee
5.00%
$0.01/sf12,076$
## Totals$14.95/sf103,674$
## Mezzanine
## RENT AND EXPENSES
## Bar-Restaurant Reuse Tonka Theatre - 1989 Cinema Demo
## First Floor
## Expense Categories
Page 89 of 135
## Project:
## Date:
5/1/2026Months to Project Stabilization=8
Operating Year→Year 1Year 2Year 3Year 4Year 5Year 6Year 7Year 8Year 9Year 10
## 5,066 SF126,650$ 130,450$
134,363$ 138,394$ 142,546$
146,822$ 151,227$ 155,764$ 160,436$ 165,250$
## 1,868 SF37,360$ 38,481$
39,635$ 40,824$ 42,049$
43,310$ 44,610$ 45,948$ 47,327$
48,746$
0 SF-$ -$ -$ -$ -$
-$
-$ -$ -$ -$
Total Base Rent6,934 SF164,010$ 168,930$ 173,998$ 179,218$ 184,595$ 190,133$
195,837$ 201,712$ 207,763$
213,996$
Parking Income:-$ -$ -$ -$ -$ -$ -$ -$ -$ -$
90,211$ 92,918$ 95,705$ 98,576$ 101,534$ 104,580$ 107,717$ 110,949$ 114,277$ 117,705$
12,711$ 13,092$ 13,485$ 13,890$ 14,306$ 14,736$ 15,178$ 15,633$ 16,102$ 16,585$
Potential Gross Income:266,932$ 274,940$ 283,189$
291,684$ 300,435$ 309,448$
318,731$ 328,293$ 338,142$ 348,286$
## Vacancy:
5.00%
(13,347)$
(13,747)$ (14,159)$
(14,584)$ (15,022)$ (15,472)$
(15,937)$ (16,415)$ (16,907)$ (17,414)$
## Effective Gross Income:
253,586$ 261,193$ 269,029$
277,100$
285,413$ 293,975$
302,795$
311,879$ 321,235$ 330,872$
## Operating Expenses:
Real Estate Taxes(45,140)$ (46,495)$
(47,889)$ (49,326)$ (50,806)$
(52,330)$ (53,900)$ (55,517)$
(57,182)$
(58,898)$
Liability Insurance(3,467)$ (3,571)$
(3,678)$ (3,788)$ (3,902)$
(4,019)$
(4,140)$ (4,264)$ (4,392)$
(4,524)$
Utilities-$ -$ -$ -$ -$
-$
-$ -$ -$ -$
CAM(41,604)$ (42,852)$ (44,138)$ (45,462)$ (46,826)$ (48,230)$ (49,677)$ (51,168)$ (52,703)$
(54,284)$
Security-$ -$
-$ -$ -$ -$ -$ -$ -$
-$
Janitorial-$ -$
-$ -$ -$ -$
-$
-$ -$
-$
Landscaping-$ -$
-$
-$ -$ -$
-$ -$ -$
-$
## Snow Removal
-$ -$ -$ -$
-$
-$
-$ -$ -$
-$
Administrative-$ -$
-$ -$
-$
-$ -$ -$
-$ -$
Miscellaneous-$ -$ -$ -$ -$
-$
-$ -$
-$ -$
## Management Fee
5.00%
(12,076)$
(12,438)$
(12,811)$
(13,195)$ (13,591)$ (13,999)$
(14,419)$
(14,851)$ (15,297)$ (15,756)$
Landlord Expenses-$ -$
-$ -$ -$
-$
-$
-$ -$ -$
Ground Lease Payments-$ -$ -$ -$ -$ -$ -$ -$ -$ -$
## Structural Reserve
(693)$ (714)$ (736)$
(758)$ (780)$ (804)$ (828)$ (853)$ (878)$
(905)$
Re-Tenanting Reserve(693)$ (714)$ (736)$ (758)$
(780)$ (804)$
(828)$ (853)$
(878)$ (905)$
(103,674)$ (106,784)$ (109,987)$ (113,287)$ (116,686)$ (120,186)$ (123,792)$ (127,506)$ (131,331)$ (135,271)$
NOI149,912$ 154,409$ 159,042$ 163,813$ 168,727$ 173,789$ 179,003$ 184,373$ 189,904$ 195,601$
## ROI (Return On Cost)2.20%2.27%2.33%2.40%2.48%2.55%2.63%2.71%2.79%2.87%
## Market Cap Rate6.50%
## Estimated Initial Stabilized Value2,306,341$
5 year average2.34%
## Estimated Current Market Cap Rate
6.50%
## Estimated Initial Stabilized Value2,306,341$
## Assumes Sale at Completion:
## Project Cost6,812,114$
## Costs Of Sale 3.00%69,190$
## Value(4,574,964)$
## Return On Cost If Sold-67.16%
## Operating Expense Reimbursement:
## PROFORMA STATEMENT
## Potential Base Rental
## Income:
## First Floor
## Mezzanine
0
## Bar-Restaurant Reuse Tonka Theatre - 1989 Cinema Demo
## Management Fee Reimbursement:
Page 90 of 135
## Annual Equity Return Assuming Build & Hold:
## Permanent LTV Percentage69.00%
(Based on Stabilized Value)
Permanent Debt Amount1,591,375$ $1,561,975$1,530,839$1,497,865$1,462,944$1,425,962$1,386,796$1,345,317$1,301,390$1,254,869$1,205,602
## Annual Interest Rate5.75%Construction Loan Amount1,591,375$
## Annual Debt Constant7.55%
## Permanent Debt Amount1,591,375$
## Loan Amortization Period (Years)25.00Equity Investment During Construction5,220,739$
## =76.64%Of Project CostLand Value
## Recovery of Equity From Refinance Proceeds-$
## Equity Investment After Refinancing
5,220,739$
## =76.64%Of Project CostLand Value
Annual Debt Service120,137$ 120,137$
120,137$ 120,137$ 120,137$
120,137$ 120,137$ 120,137$ 120,137$ 120,137$
Cash Flow After Debt Service29,775$ 34,272$
38,904$ 43,676$ 48,590$
53,652$
58,866$ 64,236$ 69,767$ 75,464$
## Debt Service Coverage Ratio
1.25x1.29x
1.32x1.36x1.40x1.45x1.49x1.53x
1.58x
1.63x
## Cash On Cash Return Equity (ROE)
0.57%
0.66%0.75%0.84%
0.93%1.03%1.13%1.23%1.34%
1.45%
Page 91 of 135
February 12, 2025
## Heritage Preservation Commission
## City of Excelsior
## 37 Water Street
## Excelsior, MN
## Bruce Anderson- bdahsa7@msn.com
Tim Caron - tgcaron@sprintmail.com
Anne Mark - anne.wagner.mark@gmail.com
Tim Gephart - timgep23@gmail.com
Rick Dahlstrom - lonepineframing@msn.com
Mark Macpherson - mactowne@aol.com
## Dear Mr. Chair and Members:
We represent Mithun Enterprises and its development team. Please accept this consolidated
response for the administrative record regarding the Site Alteration Permit (“SAP”) and related
demolition request for the Tonka Theater. As a threshold matter, the Applicant expressly
reserves all rights with respect to the Commission’s failure to act within the mandatory
timeframes set forth in its ordinance.
1
The ordinance requires the Commission to approve or
deny the application within sixty (60) days and permits an extension only upon a formal finding
of probable cause to reuse the historic resource.
2
No such finding was made. When a city
deviates from its own ordinance, without explanation, Minnesota courts have found such failure
to be arbitrary and capricious. Accordingly, the Applicant’s position is that this application has
been approved by operation of law, and nothing in this submission should be construed as a
waiver of that position.
This letter is intended to (i) clarify the record, (ii) correct material misstatements and overreach
in the City’s historic preservation consultant memorandum dated January 27, 2026 (the
“Consultant Memorandum”), and (iii) explain why the proposed changes to the Tonka Theater
(the “Project”) comply with the Excelsior City Code.
The development team fully acknowledges the Tonka Theater’s historic significance as a
contributing structure within the Excelsior Commercial Historic District. The site alteration
permit proposal is preservation-oriented: it retains the entire street-facing façade; restores
historically appropriate exterior materials; reconstructs the marquee; and returns the building to
productive civic use. The narrow dispute is not whether the Theater is historic, but whether the
City may deny a partial demolition by applying standards that are not found in (and exceed) the
adopted ordinance criteria.
1
Section 20-12 (e) Action by commission. Upon receiving an application requesting the demolition or relocation of a
landmark or a contributing site located in an historic district, the commission within 60 days after receipt of the
application shall either approve or deny such application. If the commission finds that probable cause exists to reuse
the historic resource, the commission may extend the review time to 90 days from the receipt of the application, and
notify the applicant of such postponement. Staff was reminded by the Applicant that a public hearing was required for
the SAP. Staff could have complied with the 60-day time period, but failed to notice a public hearing.
2
500, LLC v. City of Minneapolis, 837 N.W.2d 287, 292 (Minn. 2013). Heritage preservations proceedings are akin
to hearings on a conditional use permit directed at a specific property and related to specific property rights. HPC
applications are a written request relating to zoning under Minn. Stat. 15.99.
Page 92 of 135
## Heritage Preservation Commission
February 12, 2025
Page 2
I. The City’s Historic Preservation Authority Is Limited to Those Powers
## Expressly Delegated to it Under Minnesota Law
Historic preservation authority in Minnesota operates through a multi-tiered statutory framework
allocating responsibility among federal, state, and local actors. While municipalities play a
critical regulatory role, that role is limited to powers delegated to the City by state statute and
implemented through local ordinance. Local commissions therefore exercise regulatory
authority, not free-floating discretion, and may not expand requirements beyond what the
ordinance and adopted standards provide. Accordingly, the Commission’s review of this SAP
must be tethered to (a) the standards expressly adopted in Chapter 20 of the City Code, and (b)
the specific findings required by that ordinance. Preservation policy preferences, even sincerely
held, cannot substitute for ordinance criteria.
II. The City Code Contemplates Demolition and Does Not Authorize Categorical
## Prohibition
The plain language of the Excelsior City Code does not prohibit partial or full demolition of
contributing structures. Section 20-12 expressly contemplates demolition (including full
demolition) where the applicable findings are met. The ordinance establishes a criteria-based,
discretionary review, not a categorical ban. City ordinances are strictly construed against the
City, in favor of the property owner. Minnesota courts give weight to the interpretation that,
while still within the confines of the language of the ordinance, is “least restrictive upon the
rights of the property owner to use his land as he wishes.”
3
Against this backdrop, repeated assertions in the Consultant Memorandum that the historic
district was “not designated to allow demolitions,” or that approval would be improper because it
would “set a precedent,” are policy arguments unrelated to the plain language of the ordinance.
Treating demolition as presumptively forbidden improperly converts a discretionary standard
into compete ban. Permanently denying an owner beneficial use of historic property or requiring
substantial investment in repairs over the owner's objection constitutes a compensable taking
under Minnesota law.
4
We must note that in the hours of public hearings held on this Project, staff report after staff
report notes the proposed demolition as “partial demolition” subject to the partial demolition
standards of the City Code.
5
Not until 3 days before the proposed hearing before the HPC, did
staff and the City Consultant provide notice to the development team that this Project would not
be reviewed under the partial demolition standards but the demolition standards in section 20-
3
Frank's Nursery Sales, Inc. v. City of Roseville, 295 N.W.2d 604 (Minn. 1980).
4
To permanently deny an owner the beneficial use of his property except by requiring him to make a substantial
investment in repairs and renovation, over his objection, would constitute a “taking” for which the owner has a right
to compensation. State by Powderly v. Erickson, 301 N.W.2d 324, 326 (Minn. 1981).
5
In its final memo to the City Council, published in advance of the July 21, 2025 Council consideration of the
preliminary PUD, staff writes:
Staff recommends that as the HPC considers the proposed partial demolition of the Tonka Theatre building
the analysis should consider the impact of a partial demolition of a Contributing structure on the Downtown
Historic District as a whole (emphasis added).
Page 93 of 135
## Heritage Preservation Commission
February 12, 2025
Page 3
12. Section V demonstrates why the plans comply with the standards for 20-12, but as a
threshold matter, we object to the characterization of this Project as a full demolition.
The proposed work meets the City Code definition of “partial demolition.” Removal is limited to
(i) structurally compromised portions of the building and (ii) the non-contributing additions. All
Water Street massing, height, and façade elements are retained. The portion proposed for
removal is not readily visible from Water Street. The disagreement over percentage
calculations reflects a broader concern regarding the purpose and analytical foundation of the
Consultant Memorandum. In an apparent effort to characterize the application as triggering the
full demolition standard, the memorandum introduces revised building square footage figures
that are not supported by any engineering or architectural documentation.
The Consultant Memorandum adds the unused and unoccupiable basement square footage to
push the building into the full demolition category, while essentially ignoring the work done by
the development team and its professional engineers to save a significant portion of the original
theater. To be clear, the basement square footage can be retained, and if it is retained, the
building would by the consultant’s new calculations fall within the 30-percent threshold for partial
demolition. This is the type of issue appropriately raised with an applicant during the course of
a nearly 70-day review process, not introduced for the first time three days before a hearing on
the application. Instead, the consultant revised material calculations without addressing the
Applicant’s updated analysis or providing a meaningful opportunity for response.
## III. Historic Designation Record Does Not Support the Consultant’s Reframed
## Areas of Significance
The Consultant Memorandum repeatedly asserts that the building’s volume and rear mass are
“character-defining features” whose loss would permanently damage integrity. That assertion is
not supported by the historic designation record. The designation narratives emphasize the
Theater’s east façade, marquee, Art Moderne detailing, and Water Street presence not rear
massing, lake-facing visibility, or interior auditorium volume as independent sources of
significance. The designation study providing for the designation of the district is attached as
Exhibit A. The façade ornamentation is mentioned, Water Street massing is mentioned, but no
other physical components are described. These features are maintained under the proposed
SAP. Moreover, and for decades, the rear mass elevated by the Consultant Memorandum was
obscured by non-contributing structures, including the former Pizza Hut building. Preservation
analysis must be anchored in what is actually designated, not what is later asserted as
significant without documentary support.
The Consultant Memorandum further asserts that the internal volume of the theater must be
preserved in its entirety. Neither the Secretary of the Interior’s Standards nor the City Code
imposes a categorical prohibition on partial alteration of a single interior space. To the contrary,
adaptive reuse of National Register listed theaters routinely involves subdivision,
reconfiguration, or selective modification of interior volume while maintaining historic
designation. The building’s interior configuration is not identified as a defining element of its
designation as a contributing structure. This further highlights internal inconsistency within the
memorandum. It acknowledges that the HPC does not regulate use and that interior spaces
commonly evolve over time, yet it effectively treats the auditorium’s interior volume as though it
were entitled to the same level of protection as the Water Street façade or the building’s overall
height and massing.
Page 94 of 135
## Heritage Preservation Commission
February 12, 2025
Page 4
## IV. The Consultant Memorandum Ignores the Procedural and Practical Record
Established by the Development Team Over the Last Three Years.
The Consultant Memorandum misstates and omits key procedural context. The Project has
been subject to multiple concept plans and extensive public process over several years, and
revised concepts reflecting partial demolition were presented in public meetings involving the
Planning Commission, HPC, and City Council. The memorandum ignores that an adaptive
reuse model intended to retain 100% of the theater space was rejected by the City Council due
to adjacent building height and parking concerns.
Similarly, the memorandum ignores that there has been extensive discussion of the underlying
retention of the theater use. The consultant writes:
The owner has not provided tenant names or tenant signage to the building and the City
cannot require the building remain a theater. While many Excelsior residents have a
shared historic bond for continuing the theater use as a community space, the HPC’s
design review is not based on use and the HPC cannot require a theater use.
Furthermore, there is nothing to hold the owner to the proposed second-story theater
and interior plans could change in the future without HPC review. The owner has
already claimed that theaters are obsolete, so the inclusion of a theater is confusing in
the application.
This characterization is incorrect. The City is requiring the building to remain a theater and
multipurpose community space. The resolution approving the Preliminary Planned Unit
Development expressly conditions approval on continued theater and community use.
Moreover, the HPC’s review cannot proceed in isolation, as if the Project has not already
undergone extensive review and analysis through the City’s broader land use process.
The proposed non-profit theater use has been consistently and repeatedly presented, analyzed,
and affirmed as a foundational element of the Project. Members of the Mithun design team and
FilmNorth have testified on multiple occasions regarding the intended long-term theater and
community programming use of the building. The continued operation of the theater is not an
incidental or “confusing feature” of the application; it is a central public-benefit component of the
Project and should be evaluated accordingly.
V. Approval of the submitted SAP is Required Under the Ordinance
The purpose of the HPC is to preserve, protect, perpetuate, and enhance structures within the
historic district that possess special historic, community, or aesthetic value. The Commission is
charged with stewardship of the City’s heritage. But this purpose language is not limited to
preservation and protection alone. It expressly includes perpetuation and enhancement. This
Project is consistent with all four of those objectives
Nevertheless, the City and its consultant refuse to acknowledge that alignment, instead
elevating the apparent policy preferences of a small subset of individuals over the demonstrated
commitment of the broader community and the extensive, community-engaged design process
this Project has undertaken over the past three years. There is zero emphasis in the Consultant
Memorandum on perpetuation and enhancement, two areas in which this Project excels.
Page 95 of 135
## Heritage Preservation Commission
February 12, 2025
Page 5
Rather than grounding its analysis in the practical realities established through expert testimony
submitted by the Applicant and multiple rounds of public review, the Consultant Memorandum
speculates and overstates alleged compliance deficiencies while disregarding the HPC’s
affirmative duties under the ordinance, including its obligation to:
1. Strengthen the local economy;
2. Promote the use of buildings and structures for economic prosperity, education,
inspiration, and the general welfare of people of the City; and
3. Assist, encourage, and provide incentives to owners for the preservation, restoration,
rehabilitation, and productive use of historic buildings, structures, objects, and sites.
In reviewing the SAP, the Consultant Memorandum disregards the extensive presentations,
design work, and technical analysis prepared in connection with this Project. It ignores multiple
concept plan reviews conducted for this site and instead approaches the application with a
predetermined objective of identifying a basis for denial.
As previously noted, the analysis reflects a selective and inconsistent application of the
ordinance, recasting the Applicant’s partial demolition request as a full demolition. The City
accepted the SAP as a complete partial demolition application and never rejected it as
incomplete. Nevertheless, the consultant seeks to extract the Project from the plain language
definition of partial demolition, and instead attempts to recharacterize it as a full demolition by
shifting analytical assumptions mid-process. Notwithstanding the foregoing procedural and
analytical deficiencies, the Project independently satisfies the findings and approval criteria
applicable to full demolition, as demonstrated below.
## Requirement Consultant Determination Applicant Response
Concept review /
process history
Concept review was not
properly submitted.
The Project has undergone multiple concept
plan reviews for both the Theater and the
adjacent mixed-use component. Plans were
revised in response to HPC comments
(including height/design details along Water
Street).
Concept Review Concept review failed to
account for retaining
entirety of the Theater
A full-retention concept was presented. City
Council rejected the proposal.
## Non-contributing
structures
Additions outside the period
of significance are non-
contributing; consultant
suggests applicant
assumptions about
additions are incorrect
Prior City materials and staff reports have
treated later additions (including the 1989
addition) as non-contributing and not visible
from Water Street. The proposal removes
non-contributing components while
preserving contributing, Water Street-facing
features.
## Public Hearing Public hearing scheduled
for February 24.
Despite completeness determination in
November, notice and hearing scheduling
were delayed for months.
Page 96 of 135
## Heritage Preservation Commission
February 12, 2025
Page 6
## Requirement Consultant Determination Applicant Response
Decision timeline HPC has 120 days to
approve or deny under
Minn. Stat. § 15.99.
6
The ordinance language is more restrictive:
it provides a 60-day decision period with
limited extension tied to probable cause
regarding reuse. Owner preserves this
procedural issue for the record.
Engineering /
structural
documentation
The Engineering study is
insufficient to support partial
demolition; consultant
questions structural
unsoundness.
The qualified engineer’s report documents
structural deterioration and supports the
proposed scope. The City has not offered a
contrary engineering opinion; consultant
interpretation is not a substitute for
professional engineering evidence.
7
Total demolition
criterion: Alternative
undertakings and
reuse assertions
Full retention could be
supported through tax
credits or alternative uses;
Applicant failed to explore
these mechanisms.
Full retention was explored in prior concepts;
feasibility is constrained by physical
limitations and lack of on-site parking.
Suggested uses (e.g., internal amenity
concepts) do not demonstrate reasonable
economic use. While Consultant lists
“alternatives” the ordinance imposes a
proactive duty on the part of City staff, HPC
and its consultant to facilitate alternative
funding mechanisms for retention. The
design team has been engaged in this
process for over three years.
Total demolition
criterion:
## Architectural
significance
Façade is valuable, but rear
massing and lake visibility
are determinative.
Designation materials emphasize Water
Street façade, marquee, and Art Moderne
detailing; they do not identify rear massing
or lake-facing visibility as determinative.
Historically the rear was obscured by non-
contributing structures.
Total demolition
criterion: Historical
significance / interior
auditorium
Interior auditorium volume
is of particular significance;
loss undermines integrity.
The designation narrative does not elevate
the auditorium volume as an independent
source of integrity. This is a new
interpretation made by the consultant for the
first time in this report. The proposal retains
6
In Moreno v. City of Minneapolis, the court addressed whether an appeal to a city council triggers a new 60-day
deadline under Section 15.99 or must be decided within the original 60-to-120-day period. The court held that
under Minneapolis's appeals process which mirrors the City’s HPC appeal process, a zoning application is not
approved or denied for purposes of Section 15.99 until the city council—not the planning commission—has
resolved all appeals challenging the application. This means the appeal is part of the original request timeline, not a
separate process with its own deadline. Moreno v. City of Minneapolis, 676 N.W.2d 1 (2004).
7
“In making its decision, a municipality may not ‘reject expert testimony without adequate supporting reasons.’”
BECA of Alexandria, L.L.P. v. County of Douglas ex rel. Bd. of Com’rs, 607 N.W.2d 459, 463 (Minn. Ct. App. 2000)
(quoting SuperAmerica Grp., Inc. v. City of Little Canada, 539 N.W.2d 264, 267 (Minn. Ct. App. 1995)). “Non-
experts can supply adequate reasons to counter or reject expert opinions, but those reasons must be concrete and
based on observations, not merely on fears or speculation.” Id. (citations omitted). In BECA of Alexandria, the court
held arbitrary and capricious a condition the county placed on a CUP prohibiting docks, rafts, buoys, and mooring
stations after finding the condition was “based solely on unscientific concerns rather than factual data[.]” Id.
Page 97 of 135
## Heritage Preservation Commission
February 12, 2025
Page 7
## Requirement Consultant Determination Applicant Response
defining historic exterior features and
enables continued civic use.
Total demolition
criterion: Attempt to
maintain the
structure
Owner’s roof repairs
indicate the structure is
sound.
Maintenance efforts do not negate
documented deterioration and safety/code
constraints. The Consultant’s report
acknowledges there is no evidence of owner
neglect.
Total demolition
criterion: Retention
of the resource
constitutes a hazard
to public safety that
cannot be
eliminated by
economic means
available to the
owner
Owner could sell the
property to someone for a
price equivalent to the
assessed value.
The hotel-theater concept plan review
process documented a $6 million dollar cost
to retain the whole of the theater. The 26
Water Street property is currently assessed
at $573,000. Minnesota courts have long
recognized that permanently denying an
owner beneficial use of historic property or
requiring substantial investment in repairs
over the owner's objection would constitute a
compensable taking.
8
Total demolition
criterion: District
continuity
## Continuity of District
requires that the theater
remain.
Interpreting continuity to prohibit any
meaningful alteration would function as a de
facto ban inconsistent with the ordinance,
which expressly contemplates demolition
where findings are met. Under this
interpretation no property within the District
could be partially or fully demolished
because of its alleged significance to the
broader district.
Total demolition
criterion: Comp plan
alignment
Not addressed. As reflected in concept review and
preliminary PUD approvals, the Project
advances Comprehensive Plan goals for
downtown reinvestment, pedestrian
orientation, and a diverse mix of uses
including entertainment.
9
Total demolition
criterion: Structural
integrity
Consultant disputes the
engineer’s conclusions
based on a site visit
facilitated by the Applicant.
A qualified structural engineering report
documents deterioration and supports the
proposed scope; consultant opinion is not a
substitute for professional engineering
analysis.
10
Total demolition
criterion: effects on
surrounding
properties
Not addressed. Partial demolition facilitates constructive
reuse of the theater and enables the
adjacent residential project, supporting
downtown vitality and minimizing blight risk.
Relocation feasibility Narrative does not address
whether the structure can
be moved.
The preservation intent is to retain and
restore the Water Street façade and
maintain the Theater’s presence in place as
an integral downtown feature. Consultant
8
## Supra, Footnote 4
9
2040 Comprehensive Plan- City of Excelsior, Chapter 3: Land Use (2019) available at:
https://www.ci.excelsior.mn.us/DocumentCenter/View/1459/Comp-Plan-v19-final-with-East-Side-Plan
10
## Supra, Footnote 7
Page 98 of 135
## Heritage Preservation Commission
February 12, 2025
Page 8
## Requirement Consultant Determination Applicant Response
suggestion that relocation should be or failed
to be studied, ignores the investment the
broader Project is attempting to make in
meeting community desire for retention of
the majority of the building.
## VI. The Project Satisfies the Ordinance’s Inordinate Hardship Standard
The ordinance’s inordinate hardship inquiry focuses on the relationship between (a) the cost of
repair/rehabilitation and (b) the reasonable value and economic use of the property after repair,
and (c) whether rehabilitation is impractical, not merely undesirable. The record provided by the
Applicant demonstrates that this standard is met.
A. Extraordinary rehabilitation cost relative to value and use
Credible cost estimates previously provided to the City reflect that full retention and
rehabilitation (including the auditorium volume) would require approximately $6 million in
investment, grossly disproportionate to the reasonable economic value and income-producing
potential of the building in a full-preservation configuration.
B. Longstanding, repeated efforts to reuse and redevelop the property
Redevelopment has been attempted since at least 2021. This development team pursued
multiple concept plans over an extended period; only the current proposal has successfully
navigated the City’s planned unit development process. This reflects sustained good-faith
reinvestment efforts.
C. Lack of reasonable economic use under full-preservation scenarios
The ordinance requires reasonable economic use, not hypothetical occupancy. Here, the
Project’s zoning and lack of on-site parking materially constrains the assembly and institutional
uses proposed by the consultant. A 6,300-square-foot church sanctuary (the size of the original
auditorium) typically accommodates between approximately 430 and 900 persons, depending
on seating configuration. Even at the lowest end of that range, a 430-person assembly-use
would require a minimum of 108 parking stalls. By contrast, a comparably sized modern theater
with approximately 250 reclining seats requires only 25 parking stalls under the City’s
ordinance. The consultant’s suggestion that the building could be preserved in full and
repurposed for assembly or institutional use, like a church, fails to address with the practical
realities of the structure itself. The building consists of a deep, windowless floor plate designed
for a single-purpose auditorium use. Absent substantial alteration, that space is not readily
adaptable to viable office, retail, or community uses. And if subdivided or reconfigured to create
leasable areas, the result would be a series of small, interior, light-deficient rooms. This
outcome would both undermine marketability and, ironically, alter the very interior volume the
Consultant Memorandum highlights.
Speculation that some unidentified user might occupy the building under a full preservation
scenario does not constitute evidence of reasonable economic use and a basis for denial. The
ordinance requires more than hypothetical possibilities; it requires a demonstrated ability for the
property to function feasibly within real market conditions and applicable code constraints. The
project development team has repeatedly testified in multiple public sessions regarding its good-
faith efforts to evaluate and pursue constructive adaptive reuse options, including outreach,
Page 99 of 135
## Heritage Preservation Commission
February 12, 2025
Page 9
financial analysis, and alternative programming concepts. Those efforts have not produced a
viable path forward under a full-preservation scenario. Simply advancing theoretical alternatives,
without evidentiary or financial support, does not satisfy the ordinance’s findings requirement
and does not provide a defensible basis for denial.
D. Hardship is not self-created
The Theater remained in active use until 202. Current conditions reflect functional
obsolescence and documented deterioration, not intentional disinvestment. The ownership
group has maintained the theater since its closure, but as demonstrated in the submitted
engineering reports, structural issues will continue to contribute to deteriorating condition.
E. Total rehabilitation is impractical under the ordinance standard
Taken together, the extraordinary investment required for full retention, the extended record of
attempted adaptive reuse, and the absence of reasonable economic use under full-preservation
scenarios demonstrate inordinate hardship if strict full-retention were required. The proposed
demolition is the feasible path that preserves defining features and restores productive use.
## VII. Constitutional Limits Prohibit Indefinite Preservation
Minnesota courts recognize historic preservation regulations as a legitimate exercise of police
power, while also emphasizing constitutional limits where regulation permanently denies
beneficial use or effectively forces substantial investment in repairs over the owner’s objection.
In State by Powderly v. Erickson, the Minnesota Supreme Court drew a critical boundary:
permanently denying an owner the beneficial use of historic property except by requiring
substantial investment in repairs over the owner’s continued objection constitutes a
compensable taking. The Court further held that where neither the owner nor any public body
elects, after a reasonable period of time, to preserve a historic structure through acquisition or
legislation, the owner retains a constitutional right to demolish the structure or put the property
to any other lawful use.
Subsequent cases apply the Penn Central framework, focusing on economic impact,
interference with investment-backed expectations, and the character of the governmental
action. Importantly, financial feasibility is not evaluated at the time of designation in the
abstract, but when an owner seeks approval for a specific alteration. Precisely where we are
now. That flexibility is the mechanism that keeps preservation regulation within constitutional
bounds. Approval of this SAP preserves defining historic features, retains contributing status,
restores productive use, and avoids indefinite restriction without public acquisition,
compensation, or viable private reuse. This reinforces why the City should approve this Project
in compliance with its ordinance.
For the reasons above, the proposed SAP advances the core purpose of Chapter 20 by
protecting historic resources through continued, viable use. It retains the Theater’s defining
historic exterior features and qualifies as partial demolition under the ordinance. Thinking about
this Project as “total demolition” ignores the practical reality that this Project retains a significant
component of the theater. The Consultant Memorandum applies new standards, selectively
weighs evidence, and introduces hypotheticals that are not tied to market realities. It should not
serve as the basis for denial. The Owner respectfully requests approval of the Site Alteration
Permit and welcomes continued collaboration on reasonable conditions that ensure the long-
term preservation and success of the Tonka Theater.
Page 100 of 135
## Heritage Preservation Commission
February 12, 2025
Page 10
Please do not hesitate to reach out to any member of the Mithun team with questions in
advance of the February 24, 2026 meeting.
## Sincerely,
## Megan C. Rogers, for
## Larkin Hoffman
Direct Dial: (952) 896-3395
Direct Fax: (952) 842-1847
Email: mrogers@larkinhoffman.com
## cc: Kristi Luger, City Manager (kluger@excelsiormn.org)
## Julia Mullin, Community Development Director (jmullin@excelsiormn.org)
## Ronald Batty, City Attorney (rbatty@kennedy-graven.com)
## Matt Mithun (matt@mithunent.com)
## Mayor Gary Ringate (gringate@excelsiormn.org)
## Councilmember Tim Bildsoe (tbildsoe@excelsiormn.org)
## Councilmember Jennifer Caron (jcaron@excelsiormn.org)
## Councilmember Chrystal O’Hanlon (cohanlon@excelsiormn.org)
## Councilmember Anne Vogel (avogel@excelsiormn.org)
4917-4937-9982, v. 3
Page 101 of 135
## 261 SCHOOL AVENUE
## EXCELSIOR, MN 55331
952.474.5233
June 11, 2026
## Matt Mithun
## Mithun Enterprises
## 950 Wayzata Boulevard E, Suite 104
## Wayzata, MN 55391
Re: Site Alteration Permit Application for Partial Demolition of Tonka Theater Building
Email transmittal: matt@mithunent.com
Cc: Kristi Luger, Excelsior City Manager; Ron Batty, Kennedy Graven,
## Dear Matt,
The application for a Site Alteration Permit (SAP) for a partial demolition of the Tonka Theater building at 26 Water
Street is incomplete. Please submit the following pursuant to Chapter 20 of the city code of ordinances:
1. A scaled elevation drawing of the proposed exterior (rear and side) of the building, post demolition. Page SAP 6 of
the permit set provides renderings of the elevations; however, they are not scaled.
2. Re-use study. You have provided a pro forma for the development of a bar/restaurant in the existing building. This
is helpful for the Commission; however, a re-use study is a broader analysis. For example, it identifies whether the
building has potential for re-use and what those uses might be; identifies building characteristics and character-
defining features that would guide potential re-use; considers market demand for any proposed re-use. (HPC
Resolution 2026-01 also identifies this requirement - attached.)
3. Drawing or photographs showing the property in the context of its surroundings. You provided site line views in
the Preliminary PUD application; it must be included here as well, updated to reflect the proposed changes to the
Tonka Theater building and showing views from multiple vantage points on Water Street.
4. A completed SAP application form. Here is the link to the application form:
https://www.ci.excelsior.mn.us/DocumentCenter/View/2922/2---Modified-SAP-Form
In addition, the Commission will want to review the following:
• On p. SAP 5 of the permit set, please include the proposed new basement with dimensions.
Once you’ve submitted the required items, we will confirm the HPC meeting schedule with you. We want to keep your
application moving through the city review process as efficiently as possible and will look at scheduling a Special HPC
meeting if that makes the most sense.
## Sincerely,
## Julia Mullin
## Community Development Director
Page 102 of 135
## From:Mark McLane
To:Julia Mullin; Matt Mithun; Tim Marco; Rogers, Megan C.
Cc:Kristi Luger; Jess Long; Batty, Ronald H.; Furcich, Alexander W.; Tolar, Siobhan L.
## Subject:RE: 26 Water Street Site Alteration Permit application
Date:Monday, June 15, 2026 10:57:48 AM
## Attachments:image001.png
## 3226 Council Meeting Follow Up.msg
proposed partial demolition.msg
Incomplete application letter_SAP_06_11_2026.docx
## Julia,
We are in receipt of your June 11 email and Incomplete Application Letter regarding our Site
Alteration Permit Application for Partial Demolition of Tonka Theater Building submitted May
26, 2026.
After our City Council meeting we were encouraged to resubmit a new application to be
evaluated under the review criteria of a Partial Demolition application. We were hesitant to do
so as staff, the staff’s consultant, and HPC had taken discretion to interpret our initial
application as a Total Demolition. We do not have interest in repeating that process. For the
avoidance of any doubt, we reached out directly to you, as staff liaison to HPC, to understand
clear and definitive submission requirements for a Partial Demolition application to be
deemed complete. Your response email from April 2, 2026 attached above. We provided initial
and supplemental information required from that communication for a new SAP application.
Your Incomplete Application Letter dated June 11, 2026 is not consistent with information
required from your email. Had we known a re-use study would be required, we would not have
spent additional time and resources on this process.
A re-use study is an ambiguous and perfunctory exercise based on assumptions and not
grounded in market and economic realities nor specific site and city political constraints.
Assumptions that are impossible to substantiate. Conclusions derived from cursory review of
elements of seemingly comparable buildings or projects without the writer ever having
complete information on the comparable buildings or projects. Authored by consultants that
risk nothing in their recommendations and conclusions. We would not spend time and
resources on this type of exercise and would never rely on it for decision making. Ownership
has shared the economic realities of the years of losses incurred operating the Dock Cinema
as a movie theater, have fully vetted multiple redevelopment and reuse projects at substantial
cost, have provided the city’s financial advisor with multiple full financial models, and have
provided alternative proforma of validated interest for reuse of the Dock Cinema.
In direct response to the items on your list, our comments are as follows:
1. We can add dimensions and scale to the elevation pages you requested. They are noted
on the building drawings but can be added on the renderings as well.
2. We will not spend time debating the merits of a fictional study. The decision at hand is
whether or not there is support for the larger project and adaptive reuse of the 26 Water
Page 103 of 135
property. Reference to the previous resolution is irrelevant. That application was denied
and is no longer applicable to this application.
3. We are confused by this request. We provided new site line views from Water Street out
of our CAD model in the submission. There are no material changes to the site plan.
Additional views with the added 3ft will provide no substantial changes to current
project materials. Furthermore, this request would be satisfied with the final set of
plans. In particular, Section 20 of the City Code requires that any SAP permit be
accompanied by the approval of the project requiring the alteration. In this case, the
project requiring the alteration is the adjacent 10 Water St building that would
completely and fully block any view of the revised 26 Water St building from both Water
St and Lake St.
4. As noted in your follow up email, a full application and payment of the application fee
was submitted May 26, 2026.
We are not understanding the request in the additional bullet point. There will be no new
proposed basement.
To clearly summarize and communicate our position, we are willing to provide the
clarifications as noted in item 1 of the letter and are open to understanding the request for
item 3. However, we are not going to move forward with a re-use study. We request that staff
deem our application complete and HPC review our application without the requirement of a
re-use study. Please confirm if we will be heard at an HPC meeting. If HPC is unwilling to
accept our application under the guise of incomplete information, we would rescind our
application. The City of Excelsior process to date has been arbitrary and capricious and we are
unwilling to further participate. The biggest disappointment in all of this is the disservice to the
residents of Excelsior.
Please respond ASAP. If we don’t hear back by this Thursday, June 18th, we will begin
pursuing other plans.
Thank you,
## Matt, Mark, and Tim
## MARK MCLANE
## MOBILE 612.360.3313
## MARCO MCLANE DEVELOPMENT
## From: Julia Mullin <jmullin@excelsiormn.org>
## Sent: Thursday, June 11, 2026 5:22 PM
## To: Matt Mithun <matt@mithunent.com>; Mark McLane <Mark@marcomclane.com>; Tim Marco
## <Tim@marcomclane.com>; Rogers, Megan C. <mrogers@larkinhoffman.com>
Cc: Kristi Luger <kluger@excelsiormn.org>; Jess Long <jlong@excelsiormn.org>; Batty, Ronald H.
## <rbatty@Kennedy-Graven.com>; Furcich, Alexander W. <afurcich@kennedy-graven.com>; Tolar,
## Siobhan L. <stolar@kennedy-graven.com>
Page 104 of 135
## Subject: 26 Water Street Site Alteration Permit application
Hello Matt. I have reviewed the site alteration permit application you submitted for a
partial demolition of the Tonka Theater building and have found it to be missing several
items. It is incomplete at this time. Please see the attached letter for a description of
what is needed.
Let me know if you have questions; we can meet in person or have a phone
conversation, whichever works best for you.
## Regards,
## Julia
## Julia Mullin – Community Development Director
Direct Phone 952.653.3674 | jmullin@excelsiormn.org
www.excelsiormn.org
Excelsior business hours are 7:30-5:30, Monday through Thursday. Closed Fridays.
Page 105 of 135
## 26 WATER STREET
## APPLICATION MATERIALS SUBMITTED IN RESPONSE TO INCOMPLETE APPLICATION
## LETTER
## 1. Revised Site Plan
2. Scaled rear elevation drawing of proposed Tonka Theater building
3. Street views of proposed Tonka Theater building with proposed mixed-use building at 10
Water Street.
Page 106 of 135
## 3-Story Mixed Use
28 Water St.
## Lago Taco's
34 Water St.
## Retail
347 2nd St.
## Retail / Business
## Surface Parking
24 Spaces
06
07
## Lake Street
## W
a
t
e
r
## S
t
r
e
e
t
## Level 1: Common, Units & Commercial
## Levels 2-3: Units
## Dock
## Cinema
## Alley
## Garage Entry
Amenity Deck w/ fire pit area and grill station
## Dining Patio
## R
a
m
p
## U
p
## Plaza & Plaza Steps
1st Floor: Walk up units, Typ.
2nd - 3rd Floor: Balconies, Typ.
## Retail Entry
## SWCP
## Wood fenceBoulder Retaining Wall
## New Recon Retaining Wall
2
4
'
-
0
"
04
## Retail Corridor Entry
20' - 0"24' - 0"20' - 0"
## Apartment Entry
## Apartment Entry
## Existing Alley
20' - 0"
## Amenity Deck
@ Rooftop
## Property Line
## P
r
o
p
e
r
t
y
## L
i
n
e
## Stair Entry
## Stair Shaft & Access
## Elevator Shaft & Access
## B
a
l
c
o
n
y
@
3
r
d
## F
l
o
o
r
## Pedestrian Connection/ Alley
## B
a
l
c
o
n
y
@
3
r
d
## F
l
o
o
r
## Walkway to Amenity Deck
## Sloped Sidewalk
2nd - 3rd Floor: Balconies, Typ.
## C
a
n
o
p
y
## Property Line
## P
r
o
p
e
r
t
y
## L
i
n
e
## Rear Yard Setback
12' - 0"
1
2
'
-
0
"
## Transformer
Balcony @
2nd Floor
## B
i
k
e
## R
a
c
k
s
## Apartment Entry
03
## Temp. Parking
04
## C
a
n
o
p
y
## Dock Cinema Renovation
## - Facade Restoration
## -1st Floor Commercial Space
## -2nd Floor Theater Room
## Level 1: Commercial
## Levels 2: Theater Room
## Public Porch
## Public Seating
## Public Seating
## B
a
l
c
o
n
y
## B
a
l
c
o
n
y
## Balcony
## Balcony
## Balcony
## Balcony
## B
a
l
c
o
n
y
## ADA Ramp
## N
e
w
## R
e
c
o
n
## R
e
t
a
i
n
i
n
g
## W
a
l
l
## Fire Pit
## Colored Concrete
## Existing Tree
## New Tree
## Rock Curb Stops
## BalconyBalconyBalconyBalcony
10' - 3 7/8"
9' - 4 1/2"
## A
## D
## D
## I
## T
## I
## O
## N
## A
## L
## C
## I
## N
## E
## M
## A
## A
## R
## E
## A
## R
## E
## T
## A
## I
## N
## E
## D
## I
## N
## R
## E
## S
## U
## B
## M
## I
## T
## T
## A
## L
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## NOT F
## O
## R
## CO
## N
## STRUCT
## IO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## TAM
## 2023 Tushie Montgomery & Associates, P.C.©
## 10 Water St
## 10 Water St. Excelsior, MN 55331
## SCHEMATIC
## DESIGN
## A02
## Architectural Site
## Plan
## 224158A
## SCALE
1/16" = 1'-0"
1
## Architectural Site Plan
Page 107 of 135
13366876
## SAP 5
1
## SAP 6
5
## SAP 6
6
61011
41' - 2 5/8"6' - 2 1/2"
14' - 5 7/8"5' - 4"1' - 0 1/2"5' - 4"14' - 5"
7' - 0"
9' - 6 1/4"
137
## THIS SIDE OF BUILDING CONCEALED BY NEW MIXED-USE BUILDING
74' - 1"
5' - 9"2' - 2"17' - 0"2' - 2"16' - 8 1/8"30' - 3 3/4"
## APPROXIMATE HEIGHT
23' - 6 1/4"
## APPROXIMATE HEIGHT
25' - 0"
14
8
75646
## SAP 6
7
## SAP 6
8
1011
40' - 6 1/2"
9' - 0"3' - 5"9' - 2 1/2"3' - 11 1/8"3' - 6 3/8"4' - 5 5/8"3' - 6 3/8"4' - 5 5/8"3' - 6 3/8"4' - 3 1/2"
11' - 4 3/4"
4' - 1 1/2"
6' - 0"
2' - 0"
23' - 6 1/4"
## KEYNOTES
1
2
3
4
5
6
7
8
9
10
11
## PAINTED STUCCO
## PAINTED CMU
## BRICK SILL
## ACM METAL PANEL
## ACCENT MATERIAL #1
## SIGNAGE
## PREFINISHED METAL COPING
## DOOR
## WINDOW
## APARTMENT BUILDING
## LAGO TACOS
## LAGO TACOS ADJACENT
247
43' - 9 1/8"30' - 3 7/8"
74' - 1"
23' - 6 1/4"
5' - 0"
6' - 0"
## MOVIE POSTER BOX
## WITH BACKLIGHT
## HIDDEN FASTENERS
5' - 0"
6' - 0"
## MOVIE POSTER BOX
## WITH BACKLIGHT
## HIDDEN FASTENERS
1' - 8"
5' - 10"
## 8" TALL INTERNALLY
## LIT INDIVIDUALLY
## MOUNTED LETTERS
## 2X2 BACKLIT SIGN WITH
## HIDDEN FASTENERS
2' - 0"
2' - 0"
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## N
## O
## T
## FOR
## CO
## N
## STRUC
## TIO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## 2023 Tushie Montgomery & Associates, P.C.©
## TAM
## 10 Water St
## 10 Water St. Excelsior, MN 55331
## SCHEMATIC
## DESIGN
## SAP 6
## PROPOSED ELEVATIONS
## 224158A
## SCALE
1/4" = 1'-0"
1
## EAST - PROPOSED NEW (SAP)
## SCALE
1/4" = 1'-0"
2
## NORTH - PROPOSED NEW (SAP)
## SCALE
1/4" = 1'-0"
3
## WEST - PROPOSED NEW (SAP)
## SCALE
1/4" = 1'-0"
4
## SOUTH - PROPOSED NEW (SAP)
## SCALE
3/4" = 1'-0"
5
## SIGNAGE - EAST 2 PROPOSED NEW (SAP)
## SCALE
3/4" = 1'-0"
6
## SIGNAGE - EAST 3 PROPOSED NEW (SAP)
## SCALE
3/4" = 1'-0"
7
## SIGNAGE - WEST 1 PROPOSED NEW (SAP)
## SCALE
3/4" = 1'-0"
8
## SIGNAGE - WEST 2 PROPOSED NEW (SAP)
## PROPOSED NEW
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## N
## O
## T
## FOR
## CO
## N
## STRUC
## TIO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## 2023 Tushie Montgomery & Associates, P.C.©
## TAM
## 10 Water St
## 10 Water St. Excelsior, MN 55331
## SCHEMATIC
## DESIGN
## SAP 4
## PROPOSED ELEVATIONS
## 224158A
## P)
## P)
## SAP 6
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## N
## O
## T
## FOR
## CO
## N
## STRUC
## TIO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## TAM
## 10 Water St
## 10 Water St. Excelsior, MN 55331
## SCHEMATIC
## DESIGN
## SIGNAGE ELEVATIONS AND
## SECTIONS
## 224158A
## P)
## P)
## (SAP)
## (SAP)
## P)
## P)
## P)
## P)
## *NEW CINEMA DESIGN IS CONCEPTUAL AT THIS TIME AND SUBJECT TO CHANGE
## THROUGHOUT THE DESIGN PROCESS PRIOR TO A FINAL PUD SUBMITTAL.*
Page 108 of 135
## RENDER 1
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## RENDER 2
Page 110 of 135
## RENDER 3
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## RENDER 4
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## RENDER 5
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## RENDER 6
Page 114 of 135
## ATM
## TUSHIE MONTGOMERY
10 Water St | 06.23.2026
Tonka Theater Supplemental Perspective from Across Water St. | SAP SI1
Page 115 of 135
## 26 WATER STREET
## APPLICATION MATERIALS SUBMITTED IN RESPONSE TO INCOMPLETE APPLICATION LETTER
Additional site line views of Tonka Theater building (from Preliminary PUD application
materials, 07/2025).
Page 116 of 135
13
26686
6
10
711
6
127
1498756461011
## KEYNOTES
## 1STUCCO
## 3VERTICAL WOOD
## 4ACCENT MATERIAL #1
## 5ACCENT MATERIAL #2
## 6SIGNAGE
## 7PREFINISHED METAL COPING
## 8DOOR
## 2STONE
## 9WINDOW
## 10APARTMENT BUILDING
## 11LAGOS TACOS
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## NOT F
## O
## R
## CO
## N
## STRUCT
## IO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## TAM
## 2023 Tushie Montgomery & Associates, P.C.©
## Lake & Water
## 10 Water St. Excelsior, MN 55331
## Preliminary PUD
## A09
Elevations -Dock
## Cinema
## 224158A
## SCALE
1/8" = 1'-0"
1
## Dock Cinema - SE Elevation
## SCALE
1/8" = 1'-0"
2
## Dock Cinema - NE Elevation
## SCALE
1/8" = 1'-0"
3
## Dock Cinema - SW Elevation
Page 117 of 135
48
185
19
6
10
1732
1
9
16
16165
22
1517
17
16
4
25
12
8
1110
4
813
22915
## FINISH KEY
## ACCENT MATERIAL #2
## MANUFACTURER:
## TYPE:
## COLOR:
## WOOD #1
## MANUFACTURER:
## TYPE:
## COLOR:
## BRICK MASONRY #1
## MANUFACTURER:
## TYPE:
## COLOR:
## MORTAR:
## CAST STONE #1
## MANUFACTURER:
## TYPE:
## COLOR:
## MORTAR:
## ALUCOBOND
## ACM
## DARK BRONZE ANNODIZED OR
## RUSSET MICA
## NICHIHA, ARBOR OR MAC
## AWP 1818, VERTICAL IN 5 3/8
## WIDTH OR NORWOOD
## VINTAGEWOOD SPRUCE, ASH OR
## SMOKED BIRCH
## GLEN-GERY OR HEBRON
## MODULAR, 1/3 RUNNING BOND
## SMOKY MT. WILLIAMSBURG,
## HARBOURTOWN OR CITY LOFT
## TBD
## TBD
## CAST STONE
## TO MATCH BRICK
## TBD
## CAST STONE #2
## MANUFACTURER:
## TYPE:
## COLOR:
## MORTAR:
## TBD
## CAST STONE
## CHARCOAL
## TBD
## ACCENT MATERIAL #1
## MANUFACTURER:
## TYPE:
## COLOR:
## ALUCOBOND OR MAC
## ACM OR NORWOOD
## TRICORN BLACK OR BLACK
## WALNUT
## ACCENT MATERIAL #3
## MANUFACTURER:
## TYPE:
## COLOR:
## ALUCOBOND OR SIMILAR
## ACM
## AZURE BLUE OR SIMILAR
1
2
3
4
5
6
7
## ADDITIONAL KEYNOTES
## 8ALUMINUM + GLASS RAILING SYSTEM
## 10PATIO DOOR
## 11WINDOW
## 12ELEVATOR OVERRUN
## 13STAIR OVERRUN
## 14STONE BENCH
## 15PLANTER
## 9ALUMINUM RAILING SYSTEM
## 16SIGNAGE
## 17METAL AWNING
## 18ALUMINUM CANOPY
## 19PREFINISHED METAL COPING
## 20WOODEN BENCH
## 21STONE PARKING STOP
## 21STOREFRONT GLAZING
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## NOT F
## O
## R
## CO
## N
## STRUCT
## IO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## TAM
## 2023 Tushie Montgomery & Associates, P.C.©
## Lake & Water
## 10 Water St. Excelsior, MN 55331
## Preliminary PUD
## A05
## Building Elevations
## 224158A
## SCALE
1/8" = 1'-0"
1
## SE Elevation (Water St.)
## SCALE
1/8" = 1'-0"
2
## NE Elevation (Lake St.)
Page 118 of 135
## Prepared For
## Issuance
## Preliminary PUD
...
...
...
## NOT F
## O
## R
## CO
## N
## STRUCT
## IO
## N
04.01.2025
...
...
...
## Tushie Montgomery Architects
## 7645 Lyndale Ave S Suite 100
## Minneapolis, MN 55423
## Phase
## Revisions
## Project
## TAM
## 2023 Tushie Montgomery & Associates, P.C.©
## Lake & Water
## 10 Water St. Excelsior, MN 55331
## Preliminary PUD
## A11
## Renderings
## 224158A
Axon Looking at the Corner of Lake Street and Water Street
## Apartment Entry Looking Down Alley
View From Public Porch Looking to CourtyardView From Sidewalk Looking to Public Porch
Page 119 of 135
## 26 WATER STREET
## HPC RESOLUTIONS
1. HPC Resolution 2025-04
2. HPC Resolution 2026-01
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Item: 7.B.
## ITEM REPORT
## To: Heritage Preservation Commission
## From:
## Meeting Date: June 29, 2026
## Department/Office: Community Development
## Item Name: Next regular HPC Meeting - July 28, 2026
## Summary:
## Recommended Action:
## Budget:
## Attachments:
## None
Page 134 of 135
Item: 7.C.
## ITEM REPORT
## To: Heritage Preservation Commission
## From:
## Meeting Date: June 29, 2026
## Department/Office: Community Development
## Item Name: Updates
## Summary:
## Recommended Action:
## Budget:
## Attachments:
## None
Page 135 of 135